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post #61 of 86
Quote:
Originally Posted by fkclo View Post
Can you explain what a "shadow designer" means ? I am asking because I believe Phil is a real and solid designer in headphone amps.

F. Lo
first i must say that i do agree that Phil is actually an amazing designer and beyond, he added to the head-fi community lots of real innovative ideas such as the three channels and the bass boast (out of the signal) and the diamond buffer and a very unique way of regulation (i read it somewhere but don't remember where).

and what i meant when i wrote "shadow designer" is that because Phil hates confrontations that last more then a few minutes (he explained it once), he always takes one step back from most communities and arguments, while continuing to create his designs relatively in the shadows (without too much "press" and publicity).
post #62 of 86
Thread Starter 
Quote:
Originally Posted by cyberan View Post
and what i meant when i wrote "shadow designer" is that because Phil hates confrontations that last more then a few minutes (he explained it once), he always takes one step back from most communities and arguments, while continuing to create his designs relatively in the shadows (without too much "press" and publicity).
Thanks. Yes, Phil is not keen to confront. He makes his point, and in most cases, he just leave it like that. He has a very clear mind of what he is trying to accomplish by his design, and knows what he likes and doesn't like. And this is reflected in his creations - if you like his amp, very good. If you don't like what you hear, sorry, but Phil is not going to change his design to suit someone else taste or requirements. But from what I read it appears that many DO like and love his designs.

But he does listen to comments, and can be convinced. The use of a AD744 in Pocket Reference II is a good example. This basically ends up what is now the PRII MarkII.

F. Lo
post #63 of 86
Quote:
Originally Posted by fkclo View Post
Honestly, I would think the PortaCode is a different beast from the Sig 30, and targeting at different audio needs.

The PortaCode has a very focused objectives targeting at dynamic headphones. And I believe it is going to achieve these objectives with flying colours.

Trying to have a "all-in-one" magic box - driving both normal dynamic headphones AND K1000 may introduce too much compromise in design, to the detriment of listening experience, and our wallet as well.

Of course, there are exceptions. The WA5 can drive both high and low impedance headphones AND the K1000. But if one looks closer you will find there are actually separate circuits, but just happen to share some common infrastructure in the amp.

I personally would be more than happy to use the PortaCode solely for my collection of dynamic headphones.

I will be saving up now - a dollar a day and in 4 years time I should be able to buy one used

F. Lo
Quote:
Originally Posted by cyberan View Post
this is completely different from vinnie's Signature 30 or 70 for that matter, it is SS discrete design and not a digital chip, digital designs need a coil and often a capacitor on the signal path while this design has none of these, therefore the only mutual idea they have in common is the battery power, and even the battery is a little different because with Phil's design i understood that it works both with battery and can work with its dedicated PSU unlike vinnie's.
oh, i certainly did not mean to say that this amp would be targeted at the k1000...just that at that price-level there are few "portables" that are in the same ballpark, if you even want to call the signature 30/70 a "portable"...
post #64 of 86
On the subject of bass boost, I think it's fair to say that no bass boost is perfect and that whenever you have extra component in the signal path the sound will be affected. When I must use EQ I prefer it done digitally since it is technically superior, but if you like flipping switches that's cool with me too.
post #65 of 86

Full Metal Jacket PC Board construction

Regarding the point to point vs PCB construction method I favor the PCB method because I can control the parasitics and thus each production amplifier will sound just like any other because all the unknown parasitics often encountered with point to point and inter PCB wiring and known well in advance of any actual prototyping and thus the chances of the prototype working the first time and each successive unit also working properly thereafter is simply the way I like to do things. Now I suppose that some one laboring for a month can produce an amplifier that will best the same thing put on a PCB all else being equal and this same person could most likely produce another copy of the first the second month however these two will be different probably measurably different.

There is an time when point to point wiring is desirable over PCB such as High Voltage or extremely Hugh currents, In addition excessive heat can be a disadvantage of some PCB laminates however High temperature laminates eliminate this drawback. If I were to make a vacuum tube amp point-to-point would be my 1st choice unless manufacturing concerns demanded PCB assembly and in that case I would specify a High temperature laminate.

The Full Metal Jacket PC board concept was developed in the LISA III and thus put a Full and complete Ground plane on Both sides of the PC Board thus providing shielding of foils on one side of the Board from the other sides foils Most PC Boards designed today have foils on at least 2 sides and often times more, PC boards without full ground planes on both sides of the PC Board allow foils to see each other. This is undesirable since proper PC Board design often dictates placing foils that need separation from each other on opposite sides of the PC Boards. Ground planes upon PC Boards are often used in High frequency applications because the designer is able to allow stray capacitances bleed off to the ground plane as opposed to an undesirable foil causing such manifestations as interchange crosstalk and instability. As good as the ground planed PC board is it still leaves one entire side of the Board most often the side containing the most foils completely open and allow stray capacitances to not only bleed to the ground plane but additionally to an unintended foil located on the ground plane side. My Full metal jacket concept solves this and other limitations of simply using one ground plane. In previous protyping I evaluated both a one sided ground plane like I have always used previous PR1,PR-II and Headcode Designs vs one on each side of the Board and stability Noise and most importantly sonically.
post #66 of 86
thanks for the complete explanation Phil.

after asking Phil some question about his new coming portacode, Phil explained that on triad audio (Lisa), and on his new portacode he gets complete freedom to decide and choose all the parts and components and thus creating his own balance and his own sound signature, with other designs he used to make in the past he had his saying but often when the product became commercial there were other considerations that took place (space, availability, fundings and so on...), therefore i am certain that we can expect a lot more from his new portacode now that his hands are not tied in any way
post #67 of 86
Any updates? Although I will probably not be able to afford it in the near future, I'm anxious to hear of any offerings Phil has to release.
post #68 of 86
Yes, inquiring minds would like to know.
post #69 of 86
Yeah, where is the king of transportables???!!! *KingOfTransportablesSmiley*
post #70 of 86
Quote:
Originally Posted by Drag0n View Post
Yeah, where is the king of transportables???!!! *KingOfTransportablesSmiley*
the prototype is done, according to phill it is by far his best work.

you can see some prototypes here.
http://www.head-fi.org/forums/f5/bui...arocco-280043/

hope this helps
post #71 of 86
Quote:
Originally Posted by cyberan View Post
the prototype is done, according to phill it is by far his best work.

you can see some prototypes here.
http://www.head-fi.org/forums/f5/bui...arocco-280043/

hope this helps
That's not the same thing. The portacode is supposed to be the PORTABLE version, like an upscale LisaIII.
post #72 of 86
Looks pretty cool! I cant wait to check out a finished product!
post #73 of 86
Thread Starter 
According to "rumors" the new HeadCode will be launched first and it will most likely have a new name and in a.c. only version (i.e. Home version). There is no firm plan about the roll out of the PortaCode. I guess it all depends on whether there are sufficient interest / demand for an ultimate US$1,000++ transportable amp.

F. Lo
post #74 of 86
Id pay $1000usd if it were really that much better than a Lisa lll or any other amp out there. It would have to be a non-mistakable difference, not the cable arguement.
post #75 of 86
Does anyone know whether the Portacode is a dead project, or just a very slow one?
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