I've been hearing a few more portables lately -- though there are still and always will be more I haven't heard -- and I still find my Portaphile Maxxed to be the best in many respects.
Of course this is all personal and subjective, and there are tradoffs with each of the best amps -- and each has something different to offer for different tastes.
I'm just too tired at this hour to post complete details, but I will at a future date.
We all have different "ears to hear", but I'm still shocked at Skylab's description, which sounded like a completely different amp from mine. Of course I respect his opinions and personal preferences -- it just that I can't grasp how his amp could have sounded as he wrote. He described a very mediocre amp/SQ -- which mine certainly is not.
BTW Miguel -- is there still hope of my getting the SuperMicro IV to hear (after the chain of auditioners)? Am I still "on the list"? Of course I also have to hear the Xin Reference at some point soon, and hope to hear Justin's Pico at the November NYC meet!
I did finally get to hear a current SuperMacro IV LE, and gave it between 2-3 weeks of additional steady play ("burn in") beyond what it already had, considering its 16,000uf cap -- but the sound didn't come close to my Portaphile Maxxed, Hornet or even Tomahawk. HOWEVER -- it had stock AD8656 opamps. Unfortunately I don't have any opamps here so I couldn't roll in some better choices. Pity.
So -- for remarkably layered imaging, lucidity through the extended highs, excellent weight&body to instruments, most complete/complex waveforms for the most complete notes (drums sound most like real drums, as do cymbals, wood-bodied instruments, stringed instruments, etc., etc.) -- IMO my Portaphile still leads. Its one "shortcoming" is its lack of warm and "body" to vocal throat and chest resonances, though that midrange warmth would probably obscure the clarity and inner detail that it excels at.
And again, this is all within the paradigm of my highly personal, subjective and very opinionated POV.
Oh -- BTW -- I still love my Hornet and Tomahawk. The Hornet for its punch, warmth, and more flowing musicality. The Tomahawk for its wide, smooth, refined and very easy-listening sound and of course its supreme portability, which is why it's the one I use portably every day as well and on my work desktop and late-nightable, alternating with Hornet and Portaphile (I neeeeed variety!).
END OF BLAB.