For Grados I would try around 5 to 20, for older studio type designs I would try the 100- to 120 ohm, some were even used commonly on a 680 ohm ouput on mixing boards. I would try those three groups.
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- liamstrain
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Note that the frequency response and waterfall plots of headphones can vary with output impedance. This is one of those black art issues rarely talked about. Older headphones were voiced for a 120 ohm output impedance. Another example is Grado's bass changes with resistors added in series. In general newer headphones have dropped the old 120ohm standard and are voiced for modern <1 ohm output. Its an interesting subject to say the least and worthy of experiementation.
The reason older headphones were voiced at higher ohms was, however, NOT just due to resistors added to the system - the voice coils and magnets (and driver membranes) were built for that resistance (and THAT is responsible for the change ins FR response, etc.). Adding a resistor to a headphone built/voiced at 32 ohm, does not magically turn it into a 120 ohm voiced headphone. Which is my point.
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Try testing your headphones with a decent headphone amp (not Cmoy) that has a low-Z buffered output. I think you will like it more than some impedance adapter. There are good DIY designs or you can buy something. It will cause more than that resistor adapter thingy but will be more satisfactory.
In fact I'm waiting for my first DAC/Headphone amp to arrive in the next week or so. It will be A Fiio E10. It's not much but from what I heard it's a good entry level DAC/AMP.
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