Quote:
Originally Posted by cotdt 
OK, I concede that this is the only example of a headphone manufacterer making a separate headphone only for cosmetic reasons.
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Actually, I have a fairly strong argument to back up the fact that they do indeed sound different from each other.
First, lets talk about these Japanese people who compared the D5000 to the D2000. First and foremost, do you speak Japanese? Didn't think so. Neither do I. So unless we find somebody who is fluent in both English and Japanese, then the only way to translate the text if through spotty at best web page translators, such as google.
Second, do we know who it was that did the tests? Audiophiles? Random people off the street? People who would just as easily be impressed by the Skullcandy Skullcrushers? People who do or don't give a damn about audio? People who dislike headphones in general, or are heavily biased towards speakers? No, we don't really know that either.
Third, do we know what the source or equipment they used was? CDs? MP3s? Vinyl? Something else? And what kind of music did they use? Modern music with heavy dynamic range compression? We don't really know that either. And what about the amp they used? An iPod? A receiver? A nice headphone amp? We don't even know that. Do we even know what the test method was?
Also, lets not forget, they did mention that there was the "possibility of very minor differences". Very minor differences (and in some cases, no difference at all) to the average joe are night and day differences to the average head-fi member.
Now, lets take a look at Grado for a minute. There are plenty of people (some even on head-fi) who can not tell the difference between the SR-225 (even the SR-60) and the RS-1.
There also happens to be some evidence that would suggest that Grado uses the same drivers in all (or most) of their headphones. If that is indeed the case, then you can make your own conclusions.
To sum up my argument, I would be very surprised if there were not many differences between the two headphones.