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Low Budget Vinyl Source - Page 10

post #136 of 186
Quote:
Originally Posted by memepool View Post
Pioneer generally had a better reputation than Marantz for turntables but I don't know the model you mention at all. Are you sure you have the number right? If it's a black later '80s model then I'd probably avoid it. You can find out about most of their range here Pioneer Owners Manuals, Service Manuals, Schematics, Free Download | Vinyl Engine and Marantz is also figured on there.

I've had a 6170 and the price you are quoting is about right. It's a good starter deck, upto the standard of a basic Denon or Technics direct drive, and you can put a Shure M-97 or Audio Technica AT95E cart on it and should work fine with your Akai.

In the long run you want to look at getting a separate phono stage like a Cambridge Audio 540/640P as I'd imagine the one in the Akai is pretty perfunctory. Akai were really a tape specialist then and the rest of their kit never really set the world alight.
I'm sorry, but I ment a Kenwood P-91, it's a 'computer controlled lineair tracking turntable system'. It's from the late 80's. That's all I know.

But I made just a stupid purchase I guess, I went to the person who was selling the 6170, but he sold it this morning so I bought a Technics SL-5 for 25 euro's (+/- 38 USD). I'm not very pleased with the sound, the Kenwood P-91 sounds a lot, LOT better. I'm hearing a lot of noise when playing records and even when the turntable is paused there's an awfull lot of noise.

Could this be because the player isn't set up right, or is the SL-5 just not a great player?

And are there some things that I can maybe check or something?
post #137 of 186
Thread Starter 
Quote:
Originally Posted by jdb View Post
so I bought a Technics SL-5 for 25 euro's (+/- 38 USD). I'm not very pleased with the sound, the Kenwood P-91 sounds a lot, LOT better. I'm hearing a lot of noise when playing records and even when the turntable is paused there's an awfull lot of noise.

Could this be because the player isn't set up right, or is the SL-5 just not a great player?

And are there some things that I can maybe check or something?
Congratulations the Technics is one of the best of these kind of linear tracking automated designs.

From what you describe of the disapointing sound I'd say first off get a new stylus.

The design is standard TP4 / P-Mount and lpgear.com have a good range including an inexpensive ersatz version of the original Technics EPS-24ES.

However luckily for you Jico in Japan also have 3 different stylus tips that will fit your cart including their famous SAS.

Phonograph Stylus : National/Technics > EPS24CS

This is the best part of 100USD but considering even the most basic decent cart today will cost you at least half that, it's a veritable bargain given it's one of the very best stylii profiles being made today.

As for the noise you are hearing when it's not palying this is most likely hum from lack of grounding. Did the deck come with a grounding wire? I'll bet not.

Here in the manual you get a rear view

Technics SL-5 Owners Manual, Service Manual, Schematics, Free Download | Vinyl Engine

And there should be a wire coming out of a minijack socket next to the phono output RCA sockets which connects to a thumb screw on the back of the Akai in order to ground the deck. If you didn't get this then just strip the end of one end of a cheap mono minijack cable from Radioshack and attach the bare end to the Akai's earth which should be next to the phono input.
post #138 of 186
I'm going to be checking out a Realistic Lab-440 tonight. Anyone know much about it? It's listed in my local classifieds for $50.
post #139 of 186
any tips on figuring out how much some of these would be worth? I found a Marantz TT-2000 in good condition with an unknown shure cartridge but dont want to spend more than it's worth.
post #140 of 186
Thread Starter 
You generally shouldn't pay more than 50-100USD tops for most the decks on that list.

Marantz can get hyped up on places like ebay because they have always been a well repected brand and their kit generally has a good rep for lasting the distance. With vintage tuners and amps or receivers this is well founded but with turntables most of them were nothing special to start with so I wouldn't pay much more for a Marantz on there than for a Hitachi, unless the way a particular model looks is worth a premium for you.

Most of these decks should be around 50 USD on craigslist, or maybe half that from a yard sale. What is worth paying more for is if you can buy from a trustworthy guy who services old decks and he's replaced the belt and cleaned and re-oiled the bearing and put a new stylus on there etc then 100-150 would be a fair price. But actually only a few really classic decks from marques like Dual, Technics, Pioneer, Kenwood, or Sansui should exceed this and not by much for lower end models. Thorens, AR or Lenco will justifiably be a little more depending on the model and condition as these are often fixer uppers. Also there will be variations by country with Thorens being more common than AR and therfore cheaper in Europe for instance.

Obviously there will also be people cashing in on the whole 'vinyl renaissance' and pretending to sell stuff which is "classic" or that they have "fully restored". Generally I wouldn't buy sight unseen / untested unless you really can't find anything locally as shipping turntables requires a fair amount of knowledge.

Bear in mind also you can sometimes still find the Technics SL-BD20 on amazon brand new discounted for around 150USD and this isn't that far behind a lot of the decks in that list especially given the fact that you won't then need to buy a new cart or stylus which start around 50USD. Although it does have a P-Mount cart which is best avoided if possible.

Also with the particular Marantz you mentioned you will need a higher compliance cart as it's a low mass tonearm on there. This isn't much of an issue but it similarly limits your choice so it's also worth finding out what cart is on there currently and how much a new stylus will set you back.

Classic Shure carts can be quite valuable in themselves and are very well supported by third party specialists so you'll probably be able to upgrade what's on there by a significant amount which is a big plus.
post #141 of 186
Thanks, that definitely helps with at least a good general outline. That marantz ended up going above what I was willing to pay so I decided against it. I did find a Pioneer PL-400 that appears to be in excellent condition.
post #142 of 186
I have an NAD C326BEE on it's way with a pair of PSB Alpha B1's to be purchased within the week.

I had posted in another thread here asking all sorts of questions, but my source is still in question.

Originally people were saying a USB DAC or a DAC with any old transport would do, but I'm really looking into vinyl. I have more records than I do CDs and would like to go vinyl first as it's also cheaper than buying MP3s or CDs (used vinyl is like $3).

I've been looking into the Rega P1 but people say it's better to just go up to the P3. I know this, but really can't afford it. Would the P1 with an eventual cartridge upgrade be worth it or is there something else in the sub-$500 range you guys could recommend? I just want a source that can get me through college for the time being.

Also, there's a local hi-fi shop which has a system where you can buy item A and within a year buy item B for at least double the price and all of that goes towards the new item. So I could grab a P1 now and within the year grab a P3 for P3's cost - P1's cost (sorry if that's confusing).

So, what would you guys do?
post #143 of 186
Thread Starter 
Quote:
Originally Posted by ngower View Post

Also, there's a local hi-fi shop which has a system where you can buy item A and within a year buy item B for at least double the price and all of that goes towards the new item. So I could grab a P1 now and within the year grab a P3 for P3's cost - P1's cost...
You're a lucky man. I'd always go with the local dealer option if it's convenient and they are doing part exchange offers like you say.

It means you can actually go and hear the differences between sources and make an informed choice because no matter what advice you can get on here, everyone has different tastes and preferences and moreover having someone knowledgeable nearby who can answer all your questions is very helpful when you are getting into vinyl for the first time. So I'd grab that opportunity.

When I got my first deck having read loads of magazines I had a pretty good idea I wanted a Rega P3 (they were cheaper back then) but ended up with a cheaper but slightly better deck which I had never heard of ( now long defunct before you ask ) because the dealer happened to have just got it from another client who had part exchanged it for a better one. This began a 20 year relationship with that same dealer.

You find turntables like the Rega's keep their value as they have very few things that can go wrong so the guy can always sell it on when you exchange it in order to upgrade. Yes you can do this yourself as well but it's always better to have someone on hand to align the deck and show you how to set it up properly etc..

This thread was really designed as a less expensive route to vinyl nirvana for Head-Fiers who can't afford to, or simply don't want to spend the 500 odd dollars to buy a decent new budget set-up and maybe arn't fortuntate enough to have a local place where they can actually see and hear these decks in action. The P1 is actually a little cheaper and came out after this list was originally written, but anything by Rega is always a good starter deck, always has been, which is why they are still around.
post #144 of 186
So I looked back in this thread and found the Technics SL-B200. Someone about an hour away is giving it away for free so I figure that and this as a temporary analog source would do.

Assuming the turntable is in working condition, it should get me through the semester until I can upgrade to something a little better like the Rega P1 I posted about a few posts up.

So, for 2-hours drive gas money and a cartridge, would you say it's worth it?
post #145 of 186
Thread Starter 
yeah definitely. It's about the same standard as the Technics SL-BD20 which goes for around 150USD if you can find one on Amazon. It's one of the best options short of a new P1 for sure.
post #146 of 186
The woman got rid of it sometime in the past 24 hours.

I scanned the area on Craigslist for a cheap option and nothing really stood out.

Technics SL-B270 Turntable (Best Offer)
BEST OFFER!!! 80'S TECHNICS STEREO SYSTEM, BEST OFFER!!!

Technics SL-3200 ($50)
TECHNICS SL-3200 DD Turntable

Gemini XL-500 II ($70)
Gemini XL-500 II Direct Drive DJ turntable

Several options...(???)
Lot of 12 Different, Early U2 Vinyl LP Records +Turntable Available

I'm thinking about snagging the 3200 and a nice cartridge, trying to keep it under $50. Would this do or could I do better for under $100?
post #147 of 186
Thread Starter 
Quote:
Originally Posted by ngower View Post

I'm thinking about snagging the 3200 and a nice cartridge, trying to keep it under $50. Would this do or could I do better for under $100?
At this end of the market it's a lottery how much decks go for and there isn't really any difference between spending 50 and 100 USD in terms of the quality of what you get. These vendors on the whole are just trying to get rid of stuff and make a few bucks so it's pot luck really.

Any decent new cart from the likes of AT or Grado is going to be 50USD alone but this Technics looks in decent condition from the pics and has an AT cart on there already so you may just be able to get a new stylus for it. It's the best of the bunch in that list anyway.
post #148 of 186
Yeah, I could recognize it was an AT, but he said there was no number on the cart anywhere. There is no stylus, however, so regardless of what I choose to do I'm spending some money.

I've got a deal to grab it for $40 sometime next week. Thinking of grabbing a Grado Black with some Amazon credit I've got.

Should do the job just fine until I can upgrade to something more "audiophile" in terms of quality.

Appreciate the input.
post #149 of 186
Thread Starter 
Quote:
Originally Posted by ngower View Post
Yeah, I could recognize it was an AT, but he said there was no number on the cart anywhere. There is no stylus, however, so regardless of what I choose to do I'm spending some money.

I've got a deal to grab it for $40 sometime next week. Thinking of grabbing a Grado Black with some Amazon credit I've got.
The only problem with the Grado Black on this deck is that the tonearm is a little too high mass so it's not an ideal match.
Cartridge Resonance Evaluator

The best cart for this would ideally be something like a Denon DL110 but since you are on a budget the Audio Technica AT95E would be the best match.

The model number on that AT is going to be on top so you just need to take it out of the headshell to find out what it is. AT stylii are pretty common so you should be able to find one easily enough. That cart looks better than a basic one judging by the amount of metal on it.
post #150 of 186
Grabbed the SL-3200 today.

Spun it up, everything seems functional.

There was indeed no stylus. Well, there was, but it looked like it had been sanded down practically, and in touching it (BLASPHEMY!) it fell off of the cartridge, so it wasn't in good condition at all.

The cartridge is an Audio Technica AT100E.

Looking online, replacement cartridges run $20-$40, would it be worth the upgrade instead?
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