Damn Jason, you have the coolest toys. Who can blame you for playing, I would 
How do the K1000s sound from the DARED? (if I can go OT for just a second)

How do the K1000s sound from the DARED? (if I can go OT for just a second)
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Damn Jason, you have the coolest toys. Who can blame you for playing, I would
![]() How do the K1000s sound from the DARED? (if I can go OT for just a second) |

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Just FYI - there is a silver face version of the SRD-7/mk2 - it's the one in the photo.
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It sounds "okay". What you would expect from a $200 amp. I had to do a lot to make it sound decent - and you need to be real careful as to your source and cables. At the end of the day, I'd say it's a bit better (though largely different) from a good T-Amp, but doesn't compare to things like that $500 integrated amp from Original or a Nelson Pass design...
I find your comments on the Gamma interesting - when I first heard Nikongod's Gamma Pro, my thought was that it was somewhere between the SR-X mk3 and the original Lambdas. I didn't think it had quite the air of the Lambdas, but had a lot of the upfront punch of the SR-X - that it really was somewhere in the middle. Honestly, given I like both other cans a lot, I was intrigued by the Gammas... Plus they're comfy to boot! I do need to try the O2 pad mod on the SR-X... been meaning to, but I love the sound from them so much I'm afraid of changing it. ![]() Best, -Jason |

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Originally Posted by Lloyd297
I keep on running into people who recommend that I listen to Rush, who I regret to say I have never heard.
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Neil Peart?
The name rang a distant bell somewhere in the interstices of my cranium so I googled it and VOILA! Could Head-Fi Stax-fan Neil be the Neil Peart who drummed for the famous rock band, Rush? I keep on running into people who recommend that I listen to Rush, who I regret to say I have never heard. This generally occurs in the context of discussions about the cult 70's band, Pavlov's Dog, who I adore (Get their first two albums forthwith!) Anyway, apparently the singer for Rush sounds a lot like the male castrato (ersatz, of course) singer of Pavolov's Dog. So I must make an effort to hear Rush sometime..... |

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This is music to the ears of all "$300 is enough to pay for a goddam headphone" adherents!
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Can't explain it but there it is. The gamma sounds off and hollow/boxy.
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I'd like to hear the Gamma pro to see how they compare as I do like the Gamma, I like the SR-X more. Mebbe the Pro would change my view
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http://www.thismanwillkillyou.com/bu...i/DSC00035.JPG
Thats the only one I have uploaded to hand, although I appreciate it may not be useful. Ill have a look through my files for more, but I suspect I never took any detailed pictures of the interior. |
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Yes. There are four flavors of SRD-7 that I'm aware of. Small photos available on the Stax Brand History page.
1) the first version, silver face, two jacks fed 230V of bias-- ie, the original, standard, non-Pro bias voltage. Bias circuit runs on mains power, 100--240v, 50/60 Hz. 2) the SRD-7SB. Same as above, but black/grey face. Rectifies and stores up 230V of bias from the audio signal itself. No need for mains power, can be used anywhere in the world. I've never owned the Stax version, but Koss and Superex made self-biasing transformer boxes. My inexpensive Superex PEP-79 would occasionally run out of juice if I listened to quiet classical stuff over a long period and I'd have to crank the volume up momentarily to restore proper bias levels. Listeners to hypercompressed pop shouldn't have a problem. 3) SRD-7 Mk 2. This is more or less the same box as the 7 (investigations and comparisons pending), but with a black face and a classic voltage multiplier circuit (looks like a bridge truss) added to give 580V from one jack and the normal 230V from the other. Mains power. 4) SRD-7 Pro. Same as above but with two Pro-bias jacks. |
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Yeah.
Beyond a point you start mainly paying for nuance, not any paradigm shifts. That said, I like nuance. |
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Interesting to see some discussion of the Jecklin Floats, Koss ESP9 and Stax SRX MkIII. I once had all of these at one time. In fact I had 2 pairs of Floats, one black and one silver.
While none was supremely better than the other, they all sounded quite different. I preferred the Floats most, the ESP9 next and the SRXIII third. I probably listened to the 9's most because, I liked their isolation and they had better bass than the others. I sold the SRXIII's eventually, after I first heard the Stax Sigma at a dealer. I regret that somewhat, since I would like to hear them on the Stax SRA 12S amp, which I originally bought for the Sigmas and still have. The Jecklins unfortunately kind of fell apart. The wire to the one of the stators came off and I couldn't solder it back one without melting the diaphrgam. The other one wasn't working either, for reasons I don't recall. I finally sold both pairs for about $40.00 to a guy who said he thought he could fix them. He called them "head Quads." I still have the Koss ESP9's though. Sound is hard to assess since I ill-advisedly gave them to an engineer who complained about a high frequency emphasis circuit, which he then ripped out. Unfortunately it made them sound somewhat dull afterwards. I have tried to get the ESP 9' s to run off a Stax SRA 12S amp, without success and I can't see why since they still run off the transformer. Odd but I just got a new copy of Stereophile in which the editor talks about the richness of offerings in high end audio compared to 25 years ago. Of course this is not so in regard to electrostatic headphones, where we are forced to ramble on about the phones of our youth and see these designs go for increasingly high prices on Ebay. |
R+ L+
R- L-
BIAS
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The X is vastly better even though I thought they shared driver, now I'm not so certain even though they look the same.
Can't explain it but there it is. The gamma sounds off and hollow/boxy. ![]() |
