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post #1006 of 18428
Quote:
Originally Posted by tyre View Post
That doesn't look like an SR80, more like an SR30. And at $500. I've seen some extremely optimistic pricing before but that takes the cake.

http://cls.audiogon.com/cgi-bin/cls....ull&1177513759
That's ridiculous. You'd think after a month and 1600 views he'd get a clue that his asking price is about 4x it's vlue and it's not even a SR-84.
post #1007 of 18428
At the other end of the price scale, I just picked up a Koss ESP6 for $37.00. This is their original self-biasing unit with transformers in the earcups. I just got it and it almost works properly. The channels are balanced, even the LED level indicaters on the cups are working, but there are volume fluctuations and bass distortion making me think the bias is not working properly.

However I vaguely recall an old posting, probably on Headwize, that said these older Koss stats, usually ended up with shorts on their circuit boards because the foam deteriorated. But if you cleaned the boards up, they would work fine.

I will try disassembling to see if there is something that that I can work on. I know that Spritzer took one apart, but I don't think he got it working in its original configuration, but just kept the drivers and earcups and ran them off another headphone amp.

This was sold as NOS. Normally I doubt that designation, but this one really looked the part. Not a scartch anywhere, The cable seemed pristine and felt on the back of the adapter boz showed no sign of use. The only real problem was the liquid-filled earpads, which were flat. I hope the liquid didn't end up in the drivers.
post #1008 of 18428
Thread Starter 
Quote:
Originally Posted by tyre View Post
That doesn't look like an SR80, more like an SR30. And at $500. I've seen some extremely optimistic pricing before but that takes the cake.

http://cls.audiogon.com/cgi-bin/cls....ull&1177513759
Yup, SR30, but with a SR80 box. Read into that what you will. The pads on my SR50 are in much better shape than the ones on there.

Quote:
Originally Posted by smeggy View Post
That's ridiculous. You'd think after a month and 1600 views he'd get a clue that his asking price is about 4x it's vlue and it's not even a SR-84.
More than 4x. SR30s are right down at the bottom of the ladder.
post #1009 of 18428
Quote:
Originally Posted by derekbmn View Post
Don't have a STAX tube amp, but i'm willing to bet(your money) that some RCA cleartops would be a decent improvement over the stock tubes.
Thanks!
I have searched and found some NOS RCA 6CG7/6FQ7 clear-tops. Probably have to order four of them and try them out...

Quote:
Originally Posted by spritzer View Post
All I need now is somebody to build for me a DHT based amp with huge transmitter tubes and all of the usual top level caps, resistors and wire so I can see just how good they can be.
That would be awesome!
I would certainly be interested in buying such an amplifier as well...

Quote:
Originally Posted by patrickamory View Post
I haven't had a chance to try the 404s via a transformer box because the SRD-7 doesn't handle Pro phones. Sometime soon though.
Why not plug the SR-404 into the normal bias connector. It might not show its full potential, but it will give you some idea how it sound when driven by the Aleph 3/SRD-7 combo.

Quote:
Originally Posted by tyre View Post
That doesn't look like an SR80, more like an SR30. And at $500. I've seen some extremely optimistic pricing before but that takes the cake.

http://cls.audiogon.com/cgi-bin/cls....ull&1177513759
Insane pricing!
If it actually were an SR80 it might sell for $100+-. But since it is not, probably an SR30, it might sell for $50+-.
post #1010 of 18428
Thread Starter 
Quote:
Originally Posted by krmathis View Post
That would be awesome!
I would certainly be interested in buying such an amplifier as well...
Thirded. If I ever sort out a power supply design I'm going to DIY one.
post #1011 of 18428
Quote:
Originally Posted by 88Sound View Post
I received the XF2's today, and this brings up some tube biasing questions for the Blue Hawaii. I find the 'goal' of measuring 0 VDC between the + and - of each channel (for balance) and 0 VDC between the + and ground for each channel (for gain) unattainable.

After allowing the amp to warm up for one hour as soon as the top is lifted all voltages change drastically, I find the biasing also changes a lot based on ambient temperature.

So this begs the question.......how far can I be away from the goal to achieve sonic excellence and long tube life?

Brief impressions of the XF2's so far, compared to the Telefunken's.......the XF2's have more air around the instruments, the recording space and reverberation is more well defined, and there is more bass. The Telefunkens seem to have less quantity of bass but the bass is tighter and goes extremely low.

So to sum up my initial impressions.....the XF2's are more euphonic and the Tele's sound more like a perfect studio representation. They are very different from each other but both top notch and soooooo much better than any of the current production tubes I've heard (Electro Harmonix and the new Russian Mullards to be exact). By the way I'm very glad I got the XF2's.
You do not have to reach complete zero when you are biasing, +/-5v are fine. I do usually get to about +/-2v and stop there and this is after the amp has been on for more then an hour.

Glad you like the XF2's. You can also try out the GE or Sylvania "Fat Boy" tubes. They really are 6CA7's and not EL34's so they sound a bit different and are very long lasting. I don't like how they sound but they are good tubes.

Quote:
Originally Posted by krmathis View Post
When we are talking about tubes. Could you recommend me some tubes that are worth trying in my SRM-007t/Omega II system? Cause you seem to have some experience with tube-rolling Stax amplifiers (I guess the SRM-T1 is pretty close to the later SRM amplifiers)...

I would like to tube-roll my amplifier, but have no idea what's worth looking into.
First off the the 6CG7/6FQ7 is a bad tube for this application. According to Kevin you can put in 6S4's in the 007t and it should sound better but you need an adapter for this.

The best tubes for Stax amps are 6CG7 tubes made in Japan. They have many different brand names (Raytheon, Toshiba) and they are dirt cheap on ebay.

Quote:
Originally Posted by mirumu View Post
That makes a lot of sense to me and I can see why I perhaps had an easier time liking the SR-007 from the start. I've never owned particularly forward headphones and the forward sounding ones I've heard, while still enjoyable, seemed to be lacking in ways important to me or were harsh for certain music. The SR-007 on the other hand sounds more like the sound I'm used to but lacking the rolloffs, dull presentation and other flaws that tend to plague the more laid back headphones.

Oh, and if anyone is thinking of building a amp like the one you describe I'd like to know in advance. Need some time to save for it.
The harsh nature bothers me a lot and makes the He90 painful to listen to. The original SR-Lambda is bright but they are never harsh which makes them the natural choice on a morning like this when I'm so hung over I just barely could get out of bed

Quote:
Originally Posted by edstrelow View Post
At the other end of the price scale, I just picked up a Koss ESP6 for $37.00. This is their original self-biasing unit with transformers in the earcups. I just got it and it almost works properly. The channels are balanced, even the LED level indicaters on the cups are working, but there are volume fluctuations and bass distortion making me think the bias is not working properly.

However I vaguely recall an old posting, probably on Headwize, that said these older Koss stats, usually ended up with shorts on their circuit boards because the foam deteriorated. But if you cleaned the boards up, they would work fine.

I will try disassembling to see if there is something that that I can work on. I know that Spritzer took one apart, but I don't think he got it working in its original configuration, but just kept the drivers and earcups and ran them off another headphone amp.

This was sold as NOS. Normally I doubt that designation, but this one really looked the part. Not a scartch anywhere, The cable seemed pristine and felt on the back of the adapter boz showed no sign of use. The only real problem was the liquid-filled earpads, which were flat. I hope the liquid didn't end up in the drivers.
First off a word of warning. Be very careful when you take them apart because Koss used the bolts that attach the PCB's to the drivers as the conductors for bias and music signals. The drivers are in turn connected to the bolts with very thin uninsulated wires that break easily. I learned this the hard way so I completely rewired them with copper wire. Steel doesn't sound that good...

The foam was and still is a bad idea. It makes a mess out of every thing and corrodes the bare copper PCB's. My set even had large amounts of melted foam on the transformers because they were driven too hard. The PCB's were a mess but I cleaned them up and they will go into an external box for a make shift ESP7. The comfort is horrible but they are much better with an ESP9 headband and are pretty comfy with a Lambda headband.
post #1012 of 18428
Quote:
Originally Posted by Carl View Post
Thirded. If I ever sort out a power supply design I'm going to DIY one.
DIYing something like a DHT electrostatic tube amp is on my long term plan but I just don't have the time to put into it currently and my electronics knowledge is too rusty/lacking. I think ultimately developing a good design takes not only knowledge of the field and some maths but practise, experience and a certain degree of trial and error inevitably leading to some redesign. For now I'm just trying to take in what I can to guide the process and relearn or learn as necessary. I hope to get something that sounds good out of this one day if I can find the time but I'd like a nice amp or two to hold me over in the meantime.
post #1013 of 18428
Thread Starter 
Quote:
Originally Posted by spritzer View Post
First off the the 6CG7/6FQ7 is a bad tube for this application. According to Kevin you can put in 6S4's in the 007t and it should sound better but you need an adapter for this.
The 6S4 is a single triode, so that'll take quite a bit of fiddling to work. Double the heater requirements, too.

Still, replacing the 6CG7s with something better is a good idea. I'm planning on converting the SRA-7S to use 6AH4s or 6BL7s, but I'm expecting it to prove quite the mission.
post #1014 of 18428
Quote:
Originally Posted by Carl View Post
The 6S4 is a single triode, so that'll take quite a bit of fiddling to work. Double the heater requirements, too.

Still, replacing the 6CG7s with something better is a good idea. I'm planning on converting the SRA-7S to use 6AH4s or 6BL7s, but I'm expecting it to prove quite the mission.
True but it should be worthwhile. There is also the option of just buying the Woo Stax amp and stop all this insane fiddling.
post #1015 of 18428
Thread Starter 
Quote:
Originally Posted by spritzer View Post
True but it should be worthwhile. There is also the option of just buying the Woo Stax amp and stop all this insane fiddling.
That's not as fun, though. I enjoy being less encumbered by other people's topologies and parts selection; it's my sound not theirs.
post #1016 of 18428
Quote:
Originally Posted by spritzer View Post
First off the the 6CG7/6FQ7 is a bad tube for this application. According to Kevin you can put in 6S4's in the 007t and it should sound better but you need an adapter for this.

The best tubes for Stax amps are 6CG7 tubes made in Japan. They have many different brand names (Raytheon, Toshiba) and they are dirt cheap on ebay.
I understand that there are better tubes out there than the 6CG7/6FQ7. I am all new to tubes, so I wont risk using adapters, etc. and possibly get into trouble.

I have heard about Raytheon, so will check them out. eBay, here I come...
post #1017 of 18428
Quote:
Originally Posted by spritzer View Post
True but it should be worthwhile. There is also the option of just buying the Woo Stax amp and stop all this insane fiddling.
Has anyone heard the Woo Stax amp?

Patrick
post #1018 of 18428
Quote:
Originally Posted by patrickamory View Post
Has anyone heard the Woo Stax amp?

Patrick
I don't believe so at this point, but forum member Mikeg is waiting on one and I for one am really excited to hear his impressions of it when he get's it. I remember him saying that it will be at the (inter)national meet so hopefully we will get some feedback from attendees also. If feedback is good I know I will be getting one maybe with some minor changes(silver wiring for one). I have corresponded with Jack Woo and he seems to be a great guy.
post #1019 of 18428
Quote:
Originally Posted by spritzer View Post
First off a word of warning. Be very careful when you take them apart because Koss used the bolts that attach the PCB's to the drivers as the conductors for bias and music signals. The drivers are in turn connected to the bolts with very thin uninsulated wires that break easily. I learned this the hard way so I completely rewired them with copper wire. Steel doesn't sound that good...

The foam was and still is a bad idea. It makes a mess out of every thing and corrodes the bare copper PCB's. My set even had large amounts of melted foam on the transformers because they were driven too hard. The PCB's were a mess but I cleaned them up and they will go into an external box for a make shift ESP7. The comfort is horrible but they are much better with an ESP9 headband and are pretty comfy with a Lambda headband.
Yeah, I spotted the little wires in time. I spent about 40 minutes getting the phones apart and sure enough the foam closest to the drivers was a total mess and had corroroded the circuit boards in each cup. But I managed to get this crap off and cleaned the boards with a contact cleaner. Then a bit of progold on as many conatcts as I could see and voila the thing was working pretty well.

I don't think the drivers are damaged, although there is a possibility of fluid from the earpads having got into them. But they seem pretty good and you can even get the electrostatic fart from them when they are pressed in to head, indicating to me that there are no holes in them.

Soundwise it's no Omega or even 404 and I think it needs some break-in. I don't know how many years or decades, this has been sitting around unused. The frequency response test strip which came with it is dated 1969!

My inital impression was that it was muted in the treble. Also Spritzer's recent comment about the Stax transformers lacking macro/micro dyamics seemed to apply as well. There were also some volume anomalies, i.e. long quiet classical passages gradually fade out and them come surging back to life as the volume in the source comes back. I had forgotten that little quirk about self-biasing systems. You wouldn't notice it with rock/pop/jazz, where you tend not to get long passages at low levels.

I will probably take it apart again to clean it a second time, remove and re-apply the various crimped-on contacts and located some better foam and then really give it a break-in.

Why bother with this? Well it is one of only 2 or so electrostatics that are fully enclosed and isolating. It would be nice to get it back to the specs shown in the frequency response test and maybe even tweak it into something better.
post #1020 of 18428
Quote:
Originally Posted by edstrelow View Post
Yeah, I spotted the little wires in time. I spent about 40 minutes getting the phones apart and sure enough the foam closest to the drivers was a total mess and had corroroded the circuit boards in each cup. But I managed to get this crap off and cleaned the boards with a contact cleaner. Then a bit of progold on as many conatcts as I could see and voila the thing was working pretty well.

I don't think the drivers are damaged, although there is a possibility of fluid from the earpads having got into them. But they seem pretty good and you can even get the electrostatic fart from them when they are pressed in to head, indicating to me that there are no holes in them.

Soundwise it's no Omega or even 404 and I think it needs some break-in. I don't know how many years or decades, this has been sitting around unused. The frequency response test strip which came with it is dated 1969!

My inital impression was that it was muted in the treble. Also Spritzer's recent comment about the Stax transformers lacking macro/micro dyamics seemed to apply as well. There were l also some volume anomalies, i.e. long quiet classical passages gradually fade out and them come surging back to life as the volume in the source comes back. I had forgotten that little quirk about self-biasing systems. You wouldn't notice it with rock/pop/jazz, where you tend not to get long passages at low levels.

I will probably take it apart again to clean it a second time, remove and re-apply the various crimped-on contacts and located some better foam and then really give it a break-in.

Why bother with this? Well it is one of only 2 or so electrostatics that are fully enclosed and isolating. It would be nice to get it back to the specs shown in the frequency response test and maybe even tweak it into something better.
Great to hear you got them working again. The drivers are very tough but they don't have any dust covers so keep them in a clean space. I would have loved to be at the meeting where they thought that fluid filled earpads and high voltages were a good idea. My only real issue with the ESP6 is the horrible headband. It would be fine if my ears were two inches higher up.

It's great fun to repair these older phones and make them better then they ever were. A good case is the Suprex PEP-74. They ripped off every last bit from Stax and they were meant to be cheap and sound like it to but with a few simple mods they turn into PRAT monsters. These are the rock electrostatics.
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