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That doesn't look like an SR80, more like an SR30. And at $500. I've seen some extremely optimistic pricing before but that takes the cake.
http://cls.audiogon.com/cgi-bin/cls....ull&1177513759 |
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That doesn't look like an SR80, more like an SR30. And at $500. I've seen some extremely optimistic pricing before but that takes the cake.
http://cls.audiogon.com/cgi-bin/cls....ull&1177513759 |
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That doesn't look like an SR80, more like an SR30. And at $500. I've seen some extremely optimistic pricing before but that takes the cake.
http://cls.audiogon.com/cgi-bin/cls....ull&1177513759 |
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Don't have a STAX tube amp, but i'm willing to bet(your money)
that some RCA cleartops would be a decent improvement over the stock tubes. |
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All I need now is somebody to build for me a DHT based amp with huge transmitter tubes and all of the usual top level caps, resistors and wire so I can see just how good they can be.
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I haven't had a chance to try the 404s via a transformer box because the SRD-7 doesn't handle Pro phones. Sometime soon though.
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That doesn't look like an SR80, more like an SR30. And at $500. I've seen some extremely optimistic pricing before but that takes the cake.
http://cls.audiogon.com/cgi-bin/cls....ull&1177513759 |

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I received the XF2's today, and this brings up some tube biasing questions for the Blue Hawaii. I find the 'goal' of measuring 0 VDC between the + and - of each channel (for balance) and 0 VDC between the + and ground for each channel (for gain) unattainable.
After allowing the amp to warm up for one hour as soon as the top is lifted all voltages change drastically, I find the biasing also changes a lot based on ambient temperature. So this begs the question.......how far can I be away from the goal to achieve sonic excellence and long tube life? Brief impressions of the XF2's so far, compared to the Telefunken's.......the XF2's have more air around the instruments, the recording space and reverberation is more well defined, and there is more bass. The Telefunkens seem to have less quantity of bass but the bass is tighter and goes extremely low. So to sum up my initial impressions.....the XF2's are more euphonic and the Tele's sound more like a perfect studio representation. They are very different from each other but both top notch and soooooo much better than any of the current production tubes I've heard (Electro Harmonix and the new Russian Mullards to be exact). By the way I'm very glad I got the XF2's. ![]() |
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When we are talking about tubes. Could you recommend me some tubes that are worth trying in my SRM-007t/Omega II system? Cause you seem to have some experience with tube-rolling Stax amplifiers (I guess the SRM-T1 is pretty close to the later SRM amplifiers)...
I would like to tube-roll my amplifier, but have no idea what's worth looking into. ![]() |
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That makes a lot of sense to me and I can see why I perhaps had an easier time liking the SR-007 from the start. I've never owned particularly forward headphones and the forward sounding ones I've heard, while still enjoyable, seemed to be lacking in ways important to me or were harsh for certain music. The SR-007 on the other hand sounds more like the sound I'm used to but lacking the rolloffs, dull presentation and other flaws that tend to plague the more laid back headphones.
Oh, and if anyone is thinking of building a amp like the one you describe I'd like to know in advance. Need some time to save for it. |

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At the other end of the price scale, I just picked up a Koss ESP6 for $37.00. This is their original self-biasing unit with transformers in the earcups. I just got it and it almost works properly. The channels are balanced, even the LED level indicaters on the cups are working, but there are volume fluctuations and bass distortion making me think the bias is not working properly.
However I vaguely recall an old posting, probably on Headwize, that said these older Koss stats, usually ended up with shorts on their circuit boards because the foam deteriorated. But if you cleaned the boards up, they would work fine. I will try disassembling to see if there is something that that I can work on. I know that Spritzer took one apart, but I don't think he got it working in its original configuration, but just kept the drivers and earcups and ran them off another headphone amp. This was sold as NOS. Normally I doubt that designation, but this one really looked the part. Not a scartch anywhere, The cable seemed pristine and felt on the back of the adapter boz showed no sign of use. The only real problem was the liquid-filled earpads, which were flat. I hope the liquid didn't end up in the drivers. |

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Thirded. If I ever sort out a power supply design I'm going to DIY one.
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First off the the 6CG7/6FQ7 is a bad tube for this application. According to Kevin you can put in 6S4's in the 007t and it should sound better but you need an adapter for this.
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The 6S4 is a single triode, so that'll take quite a bit of fiddling to work. Double the heater requirements, too.
Still, replacing the 6CG7s with something better is a good idea. I'm planning on converting the SRA-7S to use 6AH4s or 6BL7s, but I'm expecting it to prove quite the mission. |

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First off the the 6CG7/6FQ7 is a bad tube for this application. According to Kevin you can put in 6S4's in the 007t and it should sound better but you need an adapter for this.
The best tubes for Stax amps are 6CG7 tubes made in Japan. They have many different brand names (Raytheon, Toshiba) and they are dirt cheap on ebay. |

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True but it should be worthwhile. There is also the option of just buying the Woo Stax amp and stop all this insane fiddling.
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First off a word of warning. Be very careful when you take them apart because Koss used the bolts that attach the PCB's to the drivers as the conductors for bias and music signals. The drivers are in turn connected to the bolts with very thin uninsulated wires that break easily. I learned this the hard way so I completely rewired them with copper wire. Steel doesn't sound that good...
![]() The foam was and still is a bad idea. It makes a mess out of every thing and corrodes the bare copper PCB's. My set even had large amounts of melted foam on the transformers because they were driven too hard. The PCB's were a mess but I cleaned them up and they will go into an external box for a make shift ESP7. The comfort is horrible but they are much better with an ESP9 headband and are pretty comfy with a Lambda headband. |
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Yeah, I spotted the little wires in time. I spent about 40 minutes getting the phones apart and sure enough the foam closest to the drivers was a total mess and had corroroded the circuit boards in each cup. But I managed to get this crap off and cleaned the boards with a contact cleaner. Then a bit of progold on as many conatcts as I could see and voila the thing was working pretty well.
I don't think the drivers are damaged, although there is a possibility of fluid from the earpads having got into them. But they seem pretty good and you can even get the electrostatic fart from them when they are pressed in to head, indicating to me that there are no holes in them. Soundwise it's no Omega or even 404 and I think it needs some break-in. I don't know how many years or decades, this has been sitting around unused. The frequency response test strip which came with it is dated 1969! My inital impression was that it was muted in the treble. Also Spritzer's recent comment about the Stax transformers lacking macro/micro dyamics seemed to apply as well. There were l also some volume anomalies, i.e. long quiet classical passages gradually fade out and them come surging back to life as the volume in the source comes back. I had forgotten that little quirk about self-biasing systems. You wouldn't notice it with rock/pop/jazz, where you tend not to get long passages at low levels. I will probably take it apart again to clean it a second time, remove and re-apply the various crimped-on contacts and located some better foam and then really give it a break-in. Why bother with this? Well it is one of only 2 or so electrostatics that are fully enclosed and isolating. It would be nice to get it back to the specs shown in the frequency response test and maybe even tweak it into something better. |
My only real issue with the ESP6 is the horrible headband. It would be fine if my ears were two inches higher up.