Listening Into the Music - "Tilting Your Ears Forward"
Quote:
Originally Posted by bimmer116 
well, the bass seems to have settled in somewhat. Very very deep and full body, seems deeper than the 990. That maybe an illusion though, the 2500 seems to have alot of vertical headroom so it feels that its going lower. The high is a little distance right now. It sounds like after its fully broken it will not be fatiguing. However, theres something about the way they present the music, I am not that used to it yet, it sounds congested but I think burn in can fix that. So far I am still not decided on the sound.
Mike
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Mike,
You have a ways to go with the burn-in, for sure. But if you read my own posts commenting on the sound of the Proline 750s, you'll see that I have found that the source material (the music and its production methods) turns out to be a big factor - a bigger factor with these than with other headphones I've used.
I
do have to adjust the cups position, for instance, to compensate for different mic'ing techniques with symphony recordings, that's very obvious to me. But, once I find the "sweet spot", the phase angles of how the music hit the mics fall into their magical place and it is like I'm sitting right there, experiencing it live. Symphony recordings have been the most challenging ones for listening to with these for this reason, but at the same time, now I know why - these things with their S-Logic idea are extremely sensitive to the phase information traveling along with the musical signals! That, as it turns out, is a very, very, very good thing!
Also, the highs at first did not seem as "present" - till I "tilted my ears forward" to listen to the sound the way I do in the real world - in real life (that is, not the same way that I've formerly listened to headphones all my life!) Then it blew me away how much detail I could hear, and how deeply I could "drill down" into a particular instrument's sound to listen to its individual character (...using another head-fier's terminology - that wording expressing the notion of "drilling down" into specific instruments' sound and presence turned out to become an ear opener even for me, raising my appreciation quickly for these headphones, and I've been critically listening for over 35 years as a recording technician and engineer - it gave me a different focus that opened up these headphones' abilities for me quite rapidly! Instruments really do seem to be sitting in "their own air", as I'd put it in an earlier post.)
Terry
