Not the sort of news I wanted to hear, by my countdown my amp should have been ready within the next week or so, still hard to argue against perfection.
Been stocking up a few sets of the 408As, cant believe how small they are.
Back to reading the 6 Moons review for another few weeks I guess.
Been stocking up a few sets of the 408As, cant believe how small they are.
Back to reading the 6 Moons review for another few weeks I guess.


















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- perhaps it's the (Japanese) way both are voiced? While they don't hit the lowest octave, what they do, they do sublimely. Detail is eye-opening. The decay of notes is amazing, something not experienced to the same degree with the other amps. Like Srajan posits, sound rolls out like spring water, pure and clean, almost sounding unamplified. Soundstage with this combo is very precise and focused - it's very easy to pick out where voices / instruments are in the mix. Best music with this combo - Solo vocals and instrumentals / fast paced pop (as long as it's not too bass heavy) / easy listening.
??) after mixing and matching, it seemed fairly clear that there was something to it. Quite honestly it took me a bit by surprise. That said, I asked my 15 year daughter to do the same comparo with the three setups. Not telling her my preference, she came to the exact same conclusion. Granted not all that scientific - coincidence - luck ~ who knows
?
having the Almarro driving the 701's. When I recently purchased my Zu Tones, the dealer, whom also carries Almarro, was using the Almarro A205a MkII to drive Zu Definitions
. Despite knowing that the Zu Def's are 101dB sensitive, the control it had over them was nothing short of amazing.
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