Hmmm. True "eargasms"??
A long, long time ago.
Let's see...:
- Hearing Amanda McBroom live in a small jazz club, by invitation only, maybe 14 feet away from her. Woman has a set of lungs that makes the Big Bad Wolf jealous.
- Hearing B&W 802 Matrix 3's, finally, with the "proper" amp. That being a (borrowed from the manufacturer) $10,000 Citiation XX.
Yeah, the Spectrals, the Electro's (Electrocompaniets), the Krells, the Conrad-Johnsons - all sounded good. But
nothing sounded like that Citation XX. It was if you took the 10,000 volt power line and directly plugged it into the back of the speaker. It was AWESOME. It even was able (even the Krells couldn't do it) to bottom out the drivers both the B&W's and Celestion 700's.
- When a good "friend" of ours, the designer of a small speaker company, ITC, came in with his brand-new ITC 1/4 system. The ITC 1's were amongst our personal favorites but small. He came in with the "4" system, an add-in to the 1's - a set of stereo 12" subs. With a 400 watt amp to drive them (and only them, we supplied the bi-amp). With a spectrum analyzer to make the system flat down to
18 Hz (no EQ's - just careful room placement and using the sub's built-in level controls! They were that well designed).
And a live PCM recording, on a video deck for source, of a Aeolian-Skinner pipe organ symphony with full chorus (he plays and tuned pipe organs for his significant living

)
Result: Every ceiling panel
outside the listening room, for 20 foot circumference, vibrating and walls rattling. Imaging that was so frightening the only thing we could all do - when we weren't outside the room laughing at the ridiculousness of all this - was stand there in the listening room and laugh at the incredible realism that we were supposed to absorb. But couldn't because, honestly, the experience was just too, well,
too. Jeez, I still remember that. Sitting in a 20 x 20 foot room that you could SWEAR was really a 150 x 250 foot cathedral listening to a full pipe organ that somehow got stuffed into that little room with you.
Incredible.
Did I forget to say why the system sounded like this? Because the 1's were transmission-line 3-way mini's with upward-firing midbass and the subs were a
pair of transmission-line 12's?? (!)

- Hearing K.D. Lang's voice for the first time. Haven't heard her live - maybe one day

- but just hearing her hit "that note" is all worth it.