Sorry to post twice in a row, but Dan's followup email I think sheds even more light on his design goals and I think maybe better states my own view on tube equipment:
Quote:
| > Thank you--articulate as always. I posted your response to the thread. > The argument is (in summary) "Would a tubed output stage on a CD > player in conjunction with a tube amplifier be too much tube?" My > argument was that I didn't believe your design goals to be "warm, tubey > coloration" but rather to eliminate electronic hash. I think in the > end, the definition of coloration itself may be the communication > breakdown, but I still disagree that having a tube in the signal path > of the CD player necessarily makes it inappropriate > for user with a tube amp. I guess we'll see. The trouble is that there is a lot of poorly designed and implemented tube gear out there. Many "tubed" CD players either have a simple tube buffer or a poorly designed tubed output stage and either/both are designed with heavy distortion and lots of feedback, with the specific intent of creating a "warm" sound. Good high-end tube gear IS detailed and DOES provide good bass response. It is VERY common for people to have all tube systems, including tube preamp and amp(s). I am certainly one of them. On the other hand, some people simply don't like tubes and prefer solid-state. There is bad SS gear - bright, hashey, etc., and there is bad tube gear - overly warm, rolled off and soft on the bottom end. The tubed output stage for the XA-777ES is GOOD tube design and great sound .Thanks Kelly, Dan W. |









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