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Grado sr325: This is how a Grado should sound (hear a non-grado lover ramble)

post #1 of 16
Thread Starter 
Thanks to the continued generosity of purk, I've been borrowing the Grado sr325 (NOT the new 325i; I haven't heard it yet) and sr200 since Friday. I also have on hand my old sr225. Additionally my memory's still relatively fresh on a recently sold set of rs2's, and I owned the hp2's a few months back.

First thing I did this weekend was plug the new cans up to the big rig: Meridian G08 -> HGA silver lace ICs -> Singlepower SDS (2x Sylvania VT231, 1x RCA VT231). Hmm, that was a mistake. The SDS is a wonderfully smooth tube amp, but it's also ruthlessly detailed & revealing if your other components aren't up to its level. It has a habit of making anything less than an hd650 (w/ upgrade cable) sound like a toy. I first heard this phenomenon with the hd600; unfortunately the sr325 and sr200 also fell victim here. It doesn't help that my L3000 was nearby for quick comparison Discouraged, I gave up one the grados for the day.

Fortunately, the very next day the voices in my head decided that I should throw together a decent computer rig with all this extra heads...er, hardware I've got lying around Now, I've never really been happy with a computer rig, even for casual listening (as I'm apt to do while at the computer). In my earlier days of headfi, it was the discouragement with my RME PAD based system that drove me to standalone CD players. However, this weekend I was feeling a bit adventurous (not quite enough to leave the house though ) so I forged ahead despite the specter of certain doom...er, I mean possible failure. Eventually I settled on this chain: ESI Juli@ soundcard -> Bogdan Silver Princess ICs -> Sugden Headmaster -> sr325 w/ vwap pads (Note: I've tried the sr225 and hp2 each with bowls, flats, vwaps. bowls will never agree with me, so all comments below only apply to flats and vwaps).

Lo, it was good! It wasn't an all-around top-notch, neutral hifi sound. It was a fun, groovy sound that I'd never experienced from my computer before. It was a rockin' sound. This is what I had imagined (dreamed?) grados would sound like (based on everyone's descriptions) before I actually heard my first grado (the sr225).

I've recently been listening to Megadeth - Cryptic Writings and The Craving, Alice in Chains - Jar of Flies, Blue Man Group - The Complex, Evangelion - Refrain (import), the Macross II soundtrack, and the Macross Plus soundtrack, all of which do great in this setup. Drums have an incredible snap. Bass is very tight and fairly deep (not subterranean like the L3000 but then what other headphone does that). Bass lines are very nicely resolved; they don't get muddled or confused like the sr225 does. Excellent slam and dynamics (definitely much better than sr225 & 200). Great speed and detail for a grado (again, much better than 225 & 200). Yep, it's a little tipped up in treble, but not too badly - I can tolerate it, and I'm fairly sensitive to bright cans. Acoustic guitar has a wonderful crispness to it. Metal percussion has a nice ping to it. Electric guitars are crunchy and raw; they can really wail when they need to. Soundstage is not large, as to be expected for a grado without bowls (and not in some crazy balanced configuration). However, it's large enough to not feel claustrophobic and to give room for instrument to have some space around them. For some reason I'm having issues with the sr200 rendering a very compressed soundstage in this same rig - it's almost like: draw a straight line from one ear to the other, though your head; sound will only appear on this line. Probably just bad synergy - I don't remember having this much of an issue on the SDS. Odd.

Now what the 325's don't do so well - well, they're not smooth (ala vocals). At all. They're kinda harsh and gritty in fact. They don't try to be smooth, lush, warm headphones like the RS2. In fact, this is the least smooth of all the Grados I've mentioned. Groovy! Why? Because my L3000 does smooth/lush/warm way better then any of these grados. For my secondary computer rig, I don't want something that will just remind me that I've got a much better headphone in another room - I want something that will give me a good, fun casual listen without regrets The signature of the sr325 is distinct enough to succeed where the others have failed me. Anyways, while vocals aren't too smooth, they're not at all veiled, which makes them ok for most hard rock/pop/metal. One last problem is the comfort - they are heavier than the plastic/wood grados, which does affect the comfort. Also, the forward & bright sound is a bit more fatiguing. I've been able to pretty easily deal so far due to the fun factor, but it will take more time to determine if this will become a bigger problem for me.

In summary, I'm really digging the prospect of putting some 325's into full-time duties for my computer rig - no it's not mean to compete with the L3000/SDS/W2002/ha2002 big rig. I've been through a ton of gear at this point, and I think I've started to recognize good synergy when I hear it. In the fairly high-end class, the at-ha2002 & ath-w2002 have amazing synergy. The L3000 & SDS also have incredible synergy. In the not-quite-so-high-end class, I believe the ESI/Headmaster/325 combo has very very good synergy. I'm not yet sure how much of a role the ESI plays in this synergy, or even if a better source would improve things quite a bit. Later this week I may hook the 325/Sugden up to the G08 and see where it takes things. I am enjoying the 325 more than the rs2, however I may not have used a good synergistic match for the rs2 - I was using it mainly with a Max; I've heard Blorton report that it's awesome with the RKV. It's been a while since I've had the hp2 - While I can't say the sr325 is the better headphone (the hp2 was incredibly smooth and had an undeniably flatter frequency response), I'm not sure I'd enjoy the hp2 more if I had it back (though again I may not have had the best synergy - used it mainly with an hr2). While synergy's obviously very important, the sr325 is the first grado that really made me feel like "rocking out" to a grado, and for that I'll always have a warm spot in my heart for it
post #2 of 16
It's a refreshing change once in a while... but you might just awaken the inner Grado fanboy within you. (I think I'm a closet/seasonal Grado fanboy) Join the ATOWF club before it's too late!


Overlunge
post #3 of 16
Thread Starter 
Quote:
Originally Posted by overlunge
It's a refreshing change once in a while... but you might just awaken the inner Grado fanboy within you. (I think I'm a closet/seasonal Grado fanboy) Join the ATOWF club before it's too late!
LOL - well, we'll see. I'm already a hardcore "AT relatively contemporary woody fanboy" (ATRCWF??). No grado can shake my devotion to that. The sr325's are merely fun secondary cans. Now, a couple of us Atlanta head-fiers may soon be sharing the most vintage AT woody of all. So we'll see about that ATOWF club then
post #4 of 16
Very interesting, thanks! Funny how unexpected things work out for us like that. I've got SR-225's right now and am contemplating a move to another set of cans and your comments have helped. I am considering the RS-1, RS-2 and MS-2i at this point. I am not trying to derail your thread, then again you do reference your impressions of various Grado cans, but I was wondering if you could give me any impressions you have of the 225 versus the RS-2? I've seen people say the RS-2 is a warmer 225 but I'm wondering if it's still as fun as the 225, if it has deeper bass or more bass punch and if it's got a bigger perceived stage?

Then there's the MS-2i, which I am guessing is kind of a less bright SR-325. Anyway...Thanks. My system is listed below and might be acquiring a MapleTree Purist HD tube amp soon.
post #5 of 16
Thread Starter 
Quote:
Originally Posted by Sean H
Very interesting, thanks! Funny how unexpected things work out for us like that. I've got SR-225's right now and am contemplating a move to another set of cans and your comments have helped. I am considering the RS-1, RS-2 and MS-2i at this point. I am not trying to derail your thread, then again you do reference your impressions of various Grado cans, but I was wondering if you could give me any impressions you have of the 225 versus the RS-2? I've seen people say the RS-2 is a warmer 225 but I'm wondering if it's still as fun as the 225, if it has deeper bass or more bass punch and if it's got a bigger perceived stage?

Then there's the MS-2i, which I am guessing is kind of a less bright SR-325. Anyway...Thanks. My system is listed below and might be acquiring a MapleTree Purist HD tube amp soon.
Hey Sean,
Let's see..well as disclaimer I went a looong time without listening to the sr225 at all, including most of the period in which I owned the rs2. However, long ago I remember having similar concerns about losing fun factor with the rs2. I was wrong to be concerned. Honestly, I preferred the rs2 in every way to the sr225. It's a clean upgrade, to me. Yes, it is a bit warmer but I still found them more fun than the sr225. The bass quantity and slam is quite gigantic especially with Todd's flats (it will be too much for some but not for me ). Certainly more bass than the sr225; plus it's got better resolution and slam to boot. The rs2 does have a nice warm lush sound that's quite good. It's also smoother and more refined than the 225, and yes the soundstage is a bit more spacious. It's just that it was a bit redundant in my stables since now I've got the (admittedly much more expensive) L3000 which does all these things better (and more) IMO - that's what prompted me to sell them in fact. The sr225's only stuck around since I've been too lazy to sell it

If that sounds good to you, I think you would be happy with the rs2; and it's a good buy at the used prices these days.

Edit: Though I've not heard it, everything I've read would lead me to believe your Mapletree amp will be a better match for the rs2 than my '97 vintage Max was.
post #6 of 16
Thanks for the help. Shoot, I just passed on a used pair the other day that sold, but they wanted a bit more than I had hoped to find them for. I'd love to hear them. I've owned the RS-1's but it was two years ago, I had a completely different system and was in a different mindset as to what I prefer today. Great cans but somewhat foggy as to what exactly they sounded like but based on impressions it's easy to envision the sound. The RS-2's seem to appeal to me big time based on impressions. Maybe I'll throw up a WTB. Seems like they go for around $300-325.

MS-2i still appeals to me. Glad you are liking your 325's but I believe I would not like the brighter sound. even though the MS-2i is supposed to be less bright (that warmer Allessandro sound) I still get the sense it's close to the SR-325. That said, how's the headstage of the SR-325 compare to the RS-2?
post #7 of 16
Thread Starter 
Quote:
Originally Posted by Sean H
MS-2i still appeals to me. Glad you are liking your 325's but I believe I would not like the brighter sound. even though the MS-2i is supposed to be less bright (that warmer Allessandro sound) I still get the sense it's close to the SR-325. That said, how's the headstage of the SR-325 compare to the RS-2?
You know, traditionally I'm not a big fan of bright sound either. I've held up well this week. With bowls these would be unbearable - the vwaps are keeping them mostly in check. Still, if the ms2/ms2i is just a slightly less bright 325 I would also be interested in trying them out. I like this 325 sound a lot on my computer rig, but if it can be tweaked I'll be tempted to try soon

rs2 vs. sr325 headstage size is a tough comparison to make since I've never physically compared them, but based on memory I'd be very surprised if there was a significant difference between them. Both are bigger than the sr225 and smaller than Senns
post #8 of 16
Thanks again. I'm not really a headstage junky or anything but decent depth and air is desireable obviously. Yeah, Senn's have that bigger headstage, I've been through the HD600's and 650's. Great cans, kind of miss the HD650 but damned if I didn't get bored it seemed. PS-1's baby, that's what I need! But my wallet says no f*%$in way.
post #9 of 16
Quote:
Originally Posted by Sean H
Thanks again. I'm not really a headstage junky or anything but decent depth and air is desireable obviously. Yeah, Senn's have that bigger headstage, I've been through the HD600's and 650's. Great cans, kind of miss the HD650 but damned if I didn't get bored it seemed. PS-1's baby, that's what I need! But my wallet says no f*%$in way.
Save by the wallet! I think you will find the dAck! to have great synergy with the woodie Grados... so give in to the RS-2 or even RS-1 The airiness when I had RS-1 and dAck! together was unbelievable (as I said in the dAck! review thread)


Overlunge
post #10 of 16
Thread Starter 
Quote:
Originally Posted by Sean H
Thanks again. I'm not really a headstage junky or anything but decent depth and air is desireable obviously. Yeah, Senn's have that bigger headstage, I've been through the HD600's and 650's. Great cans, kind of miss the HD650 but damned if I didn't get bored it seemed. PS-1's baby, that's what I need! But my wallet says no f*%$in way.
Yeah, I can empathise. I used to use the 650's as main cans too. They would start out great; tons of fun to listen to. Then, over the course of a week or two I would slowly get bored with them. Sometimes I've move on to another headphone for a while. Then I'd get tired of that, come back to the 650 with a different cable or amp, declare them good again, and the cycle would start anew! Man, I got tired of that cycle. Been consistently happy (no, ecstatic) with my 2 new AT cans for the last couple months, so there is hope, but oh at what a price! Now these 325's look like they may be useful to inject a little spice into my listening schedule when necessary. I don't like the feeling of getting bored with a headphone Maybe now I won't have to go through that again Heh, if I had a wife I imagine my body would be found in a river any day now...
post #11 of 16
Thread Starter 
Hmm, a bit offtopic on my own thread, but I just realized it's kind of creepy how the amp/headphone combos with great sonic synergy also have equally great visual synergy:

- ha2002 has a lacquered wood front panel matching the w2002's finish
- sr325's have stout silverish-gray cups to match the headmaster's way overbuilt, ridiculously stout chassis of a very similar color & finish
- Well, the L3000's plug is done in steel to match my oldskool SDS's steel chassis The gigantic blue caps in the SDS are a great complement to the L3000's tan leather...ok, maybe that's a bit of a stretch...
post #12 of 16
Quote:
Originally Posted by mulveling
Hmm, a bit offtopic on my own thread, but I just realized it's kind of creepy how the amp/headphone combos with great sonic synergy also have equally great visual synergy:

- ha2002 has a lacquered wood front panel matching the w2002's finish
- sr325's have stout silverish-gray cups to match the headmaster's way overbuilt, ridiculously stout chassis of a very similat color & finish
- Well, the L3000's plug is done in steel to match my oldskool SDS's steel chassis The gigantic blue caps in the SDS are a great complement to the L3000's tan leather...ok, maybe that's a bit of a stretch...
lol... You are sub-consciously avoiding the synergetic amp for L3000, and you know what I mean.


Overlunge
post #13 of 16
mulveling: Nice write-up. I feel quite similarly about Grados, and have been eyeing another pair, once again.

Quote:
Originally Posted by Sean H
My system is listed below and might be acquiring a MapleTree Purist HD tube amp soon.
Cool, doctor. I think you will be pleased!
post #14 of 16
Quote:
Originally Posted by mulveling
Hmm, a bit offtopic on my own thread, but I just realized it's kind of creepy how the amp/headphone combos with great sonic synergy also have equally great visual synergy:

- ha2002 has a lacquered wood front panel matching the w2002's finish
- sr325's have stout silverish-gray cups to match the headmaster's way overbuilt, ridiculously stout chassis of a very similat color & finish
- Well, the L3000's plug is done in steel to match my oldskool SDS's steel chassis The gigantic blue caps in the SDS are a great complement to the L3000's tan leather...ok, maybe that's a bit of a stretch...
Some days I feel like that too. SR60+GoVibeV3=Little Black Number. Darth Grado HP2+Pinkie=Fuzz Star.
post #15 of 16
Thread Starter 
Quote:
Originally Posted by overlunge
lol... You are sub-consciously avoiding the synergetic amp for L3000, and you know what I mean.


Overlunge
Heh - don't remind me. Alex's brief comments on his dha3000 vs. balanced SDS have shattered my hopes that my SDS might be a top synergistic match for the l3000. It's still an absolutely wonderful match (best overall system I've heard!), but now I have to go on with my life knowing that the dha3000 is probably better

Well, the sds isn't leaving (tuberolling is fun!), though I'd pick up a dha3000 if one came up cheap and I could promise myself to sell some other gear...problem is I've already sold most of the $$$ stuff that I can live without.

Anyways, back to grado discussions!
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