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Rank the Headphones that You Own. - Page 252

post #3766 of 4068

1) HifiMAN HE-6

2) Sennheiser HD650

3) Martin Logan Mikros 90

post #3767 of 4068
Updated:
1 - Takstar Pro80
2 - PreSonus HD7 (SuperLux 681 Burgundy Ring OEM)
3 - KSC75
4 - Superlux HD-681 F
5 - Superlux HD-668 B
6 - Creative Aurvana Live! Version 1.0 Classic
7 - Edifier H840 (a re-branded Monoprice 839 clone)
8 - Superlux HD-681 B
9 - Logitech Ultimate Ears 500
10 - Superlux HD-662b
11 - JVC HA-S500
12 - Sony MH750
13 - SoundMagic ES18
Edited by marone - 2/28/14 at 1:33am
post #3768 of 4068

M... too late to write descriptions of the headphones now but...

 

What I listen to:

 

1: Sony DR-Z7: Adore it more than anything.

2: Pioneer Monitor 10: Best soundstage ever. Has a way of making things sound "just right".

3: Audio Technica ATH-6D (modded): Still working on mods for this one, good all-rounder.

4: Sony MDR-605 (modded): Shockingly listenable. Used as my portables usually.

5: Pioneer SE-500: Doesn't see much use anymore with the Monitor 10 around. Similar but without bass, harder to drive, less comfortable.

post #3769 of 4068

1) Superlux HD668B
2) Takstar Pro 80
3) Superlux HD669
4) Philips SHL3300
5) Pioneer SE-EX9
6) Somic MH463
7) Koss KSC-75

I didn't include the headphones I already sold and some might be outraged where I'd place the highly lauded ATH-M50 I had on that list.
 

post #3770 of 4068
Quote:
Originally Posted by SymphonyX7 View Post
 

1) Superlux HD668B
2) Takstar Pro 80
3) Superlux HD669
4) Philips SHL3300
5) Pioneer SE-EX9
6) Somic MH463
7) Koss KSC-75

I didn't include the headphones I already sold and some might be outraged where I'd place the highly lauded ATH-M50 I had on that list.
 

Go ahead, put the M50 on. If you're anything like me it'd be below the KSC-75.

post #3771 of 4068

Grado RS1i

Sennheiser HD650

Grado RS2i

Grado sr225i

Beyerdynamic DT880 (250 ohm)

post #3772 of 4068
Quote:
Originally Posted by Eternal Schism View Post

Currently owned

1. Sennheiser HD800
Pros: Biggest Soundstage, Top Tier Imaging, Extremely high detail level, very fast/keeps up with the most complex passages, deeply extended if not powerful bass, extremely realistic mids. Very comfortable
Cons: Can be sibilant with poorer recordings / not forgiving, can lack euphony overall and is not the most involving listen for some music, Slightly too bright
Best Genres: Ambient Electronic, Classical, Acoustic music, Flamenco, Soundtracks, Progressive Rock (certain recordings), Movie viewing, Gaming, PSY-Trance (synth texture/layering)
OVERALL: A
FOR THE PRICE ($1590): B

2. JVC DX1000
Pros: Powerful, deep and robust bass that will satisfy bassheads and audio purist alike without midrange bleed. Euphonic and highly involving midrange with interesting wooden colorations, superb imaging for a closed headphone, reasonably large soundstage, forgiving and relaxed, closed sonic sibling to HD650 and LCD2. Very comfortable and light for its size
Cons: Treble can sound flat and lacks energy, soundstage is not up there with the best open cans. Not a very fast headphone. Mids can sound distant on some recordings
Best Genres: Electronic (Dubstep, Trance, House, IDM, Chillstep etc), Blues, Small Ensemble Jazz, Female Vocalists, Stoner Rock
OVERALL: A-
FOR THE PRICE ($950): A

3. Hifiman HE500
Pros: Strong Imaging, and fairly high level of detail retrieval. Fantastic all round for most genres. Very neutral - only slightly dark. Well detailed treble without being strident or overly bright. Well extended and moderately powerful bass.
Cons Slightly uncomfortable after long sessions. Slight lack of bass quality on some tracks. Soundstage nothing to write home about for a open can, better than most closed options though. Mids slightly forward and a tad aggressive with some female vocals.
Best Genres: Almost everything
OVERALL: B+
FOR THE PRICE ($700): A+

4. Audeze LCD2 rev 2
Pros: Incredible bass detail, tightness and depth also great slam. Very fast presentation for a dark can. Forgiving as well as fairly detailed a rarity. Incredibly realistic male vocals (for me at least), Very musical
Cons: Lack of treble detail and upper midrange harmonic content. Smaller soundstage. Imaging could be better. Uncomfortable and heavy on top of the head.
Best Genres: Jazz, Metal, Rock, EDM, Pop
OVERALL: B
FOR THE PRICE ($1180): B

5. Beyerdynamic T1
Pros: High perceived detail level, large soundstage, nicely warm midrange, comfortable, effortless sound, similar but darker than the HD800 ~ treble less clear, Fantastic all rounder
Cons: Harsh treble spike aggravated occasionally by high pitched instruments, imaging unimpressive compared to the HD800, Lacks speed to keep up with very complex passages
Best Genres: Classical, Metal, Rock (Prog especially), Movies, Gaming
OVERALL: B
FOR THE PRICE ($1150): B

6. Fostex TH600
Pros: Heavy, powerful and incredibly hard slamming bass. Highly detailed for a closed headphone, very solid imaging. Best closed soundstage I've heard
Cons: Bright and strident with cymbals in quite a few recordings, recessed midrange - lacks presence for vocals and guitar.
Best Genres: EDM, Pop, Movies+Gaming++ (bass is impressive theater like with obviously better control)
OVERALL: B-
FOR THE PRICE ($1000) : C+

7. Mr Speakers Alpha Dog
Pros: Well extended and detailed treble, very clear and grain free sound - seemingly more detailed than JVC or Fostex. Tight controlled bass. Very detailed Midrange - while being balanced throughout. Very good closed can for classical and acoustic mainly for its treble detail. Almost can be seen as a closed HD800 tonally
Cons: Treble can be a bit hard on some recordings that are excited up there / not forgiving, Sounds unexciting, bass not very powerful by any stretch, soundstage and imaging are unimpressive compared to the TH600 and DX1000 on my setup
Best Genres: Acoustic, Classic Rock, Jazz, Classical, Soundtrack
OVERALL: B-
FOR THE PRICE ($750): B+

8. Fischer Audio FA011 Limited Edition
Pros: Fast and aggressive sound which is of a fun variety overall. Bass extending into the sub-bass, super powerful upper bass power. Very thick and crunchy guitar tone, accented by the powerful bass guitar resulting in a very live sound. Baby Grado PS1000 with more refined Treble. Very well separated instruments.
Cons: Small soundstage, Aggressive Treble - slightly harsh but not bad at all. Minor upper mid recession.
Best Genres: EDM, Metal, Rock
OVERALL: C+
FOR THE PRICE ($480): A+

9. Grado Bushmills w/ Jumbo Pads
Pros: Above average soundstage, Very pristine and detailed, Crystalline Treble - nothing like most other Grado models, Very lifelike guitar tonality as well as strong speed. Good instrument seperation
Cons: Not genre diverse, harsh upper midrange on certain tracks, weak bass, poor bass extension, cold overall tonality (believe it or not for a Grado)
Best Genres: Metal, Classical, Soundtrack
OVERALL: C
FOR THE PRICE ($500): B+

10. Sennheiser HD600
Pros: Smooth and forgiving, slightly romantic sound, acceptable with most genres, moderate soundstage, fairly open
Cons: Lacks Detail, Unimpressive separation/imaging, wooly and undefined bass, lacks bass extension, lacks excitement - too laid back
Best Genres: Mostly anything
OVERALL: C
FOR THE PRICE ($400): A

I have Audio GD NFB 28 system. I also quoted my values from prices here in Australia. There was not much separating most headphones from one another in my preferences. Don't let my criticism seem too harsh many of these things are minor annoyances.

 

This is an insightful post. Very nice!

post #3773 of 4068
Quote:
Originally Posted by SymphonyX7 View Post

1) Superlux HD668B

2) Takstar Pro 80

3) Superlux HD669

4) Philips SHL3300

5) Pioneer SE-EX9

6) Somic MH463

7) Koss KSC-75

Try the PreSonus HD7, it may be better than the Pro 80 and 668B...definitely on classical.
post #3774 of 4068
Quote:
Originally Posted by Tiemen View Post

This is an insightful post. Very nice!
Yea I agree. It was a great read!
post #3775 of 4068

This is an interesting thread! I find it very difficult to rank the headphones I own because I specifically assembled a set that is supposed to be varied, so each headphone is here for different purposes. Therefore, I can't really compare them... in any case, some brief comments. The first six are my main headphones, and the other three are here but don't see as much use.

 

1) Sennheiser HD800

This is the new boy. I had one a while ago, didn't like it but now I've got one again and I'm loving it. In terms of soundstage, imaging and detail retrieval, there's really nothing like it, at least as far as dynamic drivers are concerned. I used to own a K1000 and even though it has an out-of-the-head soundstage, it's still relatively congested and doesn't portray a stage as realistically as the Senns. I also had the chance of staying a month with an Orpheus/Aristaeus combo, and while it's easily a better headphone overall, the diffuse soundstage is not nearly as precise as the HD800's. I've been using it for various genres, but they work best with genres that benefit from extreme transparency, spaciousness and a slightly analytical nature – that is, jazz, classical, acoustic pieces and reference recordings in general.

 

1) Grado HP1000

Extremely natural sound. It's much smoother and more laid back than current Grados, but it's still raw, crude and analog-like. They sound the real deal. Artists playing tired on a dirty stage. They work best with the same types of recordings where the HD800s shine, but for different reasons. However, they are far more enjoyable for rock and less capable with classical or when a spacious presentation is needed.

 

1) Audio-Technica W3000ANV

Incredibly luscious and seductive sound. It has an amazingly euphonic nature and do wonders with female vocals and jazz, mainly, but are also optimal when you just want to be warm, you know? This can happen with pieces like Turn Me On from Black Coffee but also with the likes of Justin Vernon or DeYarmond Edison. Different approaches to musical intimacy. They're obviously colored and not as natural as the other two, but for musical enjoyment, can best them in many cases.

 

1) HiFiMAN HE500

These have been here for a long time. They're the all-rounders, and work really well with everything. I usually use them for modern music – electronic, rock, metal or whatever. They have a very authoritative and powerful sound, with a warm presentation that just seems to suit everything. They're not as technically advanced or spacious as the Senns, as analog and real like the Grados or as seductive as the W3000ANV, but have a rather complete performance that's always adequate. It's not my favourite one, but since I'm rather eclectic, if I had to choose only one headphone, this would probably it. Or maybe it could also be the...

 

1) JH Audio Roxanne

It hasn't been here for long and I'm still maturing my opinions about it. I still respect it more than love it, but I can already say that they are easily the best in-ear headphones I've ever heard. They sound a lot more like headphones than earphones, but obviously without the spaciousness of the bigger brothers. They have a very thick sound, with a warm midrange and very clear and extended highs, without a hint of harshness. What strikes me most is how they combine warmness and fullness with extreme transparency and resolution. These last two characteristics are never thrown in your face, but will be there if you pay attention. The bass control is weird in that they don't seem to start from a lean sound – the Roxys sound very thinck with the bass at the minimum – with an increasing sub-bass boost that makes the sound thicker and more authoritative. What happens is that as you turn the knob up the bass starts to come and fill up a space that feels empty just below the mids. I just left it at 9 o'clock and was done with it. The sound is just nicely balanced and cohesive.

 

2) Sennheiser HD 25-1 II

This is my no-*****s-given headphone. It's really unattractive and badly finished, but they sound great for the price – energetic and punchy – and I don't have to worry about them breaking, scratching or anything. I just throw them on the backpack and that's it. Sometimes I don't want the fuss of the Roxannes – the case is really cool but spectacularly inconvenient and impractical, but I'm not very fond of the idea of just throwing the earphones around – or don't feel like using an IEM, and this is when the HD 25 fit like gloves. I really love these.

 

3) Sony EX1000

They don't sound much like the W3000ANV, but are also very very seductive and easy going. They're also really comfortable and have a very interesting soundstage. Not very precise but quite spacious. They haven't been seeing much use lately, but I'm very fond of them.

 

4) Etymotic Research MC3

To me they sound a lot like Grados. I also don't use them very much, but I think that with some recordings they sound incredibly natural, much in the same way as the HP1000s – although obviously not to the same degree. Also, probably because of the extreme isolation provided by the triple-flange tips, detail retrieval is really good and consequently they can show clear differences in the rooms of recordins. I mean, you can very clearly hear the room on some Kings of Convenience of Chris Whitley's recordings, for example. Therefore, while they're not very spacious, they can show space very competeltly.

 

5) Bang&Olufsen A8

These don't get much love around here, but I find their airy character to be very appealing, and apart from the lack of bass expected with an earbud, they sound really balanced.


Edited by Leonardo Drummond - 2/28/14 at 5:36pm
post #3776 of 4068
Quote:
Originally Posted by takato14 View Post
 

Go ahead, put the M50 on. If you're anything like me it'd be below the KSC-75.

Actually, I'd put it just above the KSC-75. lol. Still, it's below a lot of much cheaper cans on my list. 
 

Quote:

Originally Posted by marone View Post


Try the PreSonus HD7, it may be better than the Pro 80 and 668B...definitely on classical.

Yes. I've read your feedback of the Presonus HD7 in the Superlux thread. From your feedback, the difference isn't big compared to the HD668B. Thing is, I want my next upgrade to be substantial. I'm saving up for something in the $200 to 400 range, preferably open or semi-open. 

I listen to a lot of classical, orchestra, jazz, older pop, disco, contemporary RnB etc. Not a lot of new stuff really.

i.e. 
Vivaldi - Four Seasons
Pokemon Reorchestrated, Kanto Symphony - Red's Journey (Route 3/4 theme)
Swing Out Sister - You On My Mind
Mariah Carey - Emotions
Aretha Franklin - Say A Little Prayer
Alicia Keys ft. Usher - My Boo
Mariah Carey - Honey

Since we're also talking about IEMs here. Anyone have the Sony EX310 or EX510? The ones with the 13.5 mm CCAW dynamic drivers? I tried the Walkman W-series (NWZ-W273 to be exact) which is basically a waterproof, all-in-one earphone music player and I was blown away by its sound. It also has those 13.5 mm drivers and I suspect it's the same driver on the EX310 or EX510. I doubt it'd have the same drivers as the EX600 since it costs more than twice the NWZ-W273.


Edited by SymphonyX7 - 2/28/14 at 11:03pm
post #3777 of 4068

really limited selection but I'll at least comment on each for what it's worth

 

1. HD650 - I don't believe I have the right amplification for them at the moment and almost think my HD595's + little dot II++ sounded better in every way EXCEPT bass extension.  I'm driving my hd650's with schiit lyr and bifrost.  mids just feel.... cold.  They sounded so thick and warm on my hd595's on the little dot amp.  With the lyr and 650's, I feel like the mids are lacking.  This could completely contradict what my setups should reflect, but that's just my personal experience.  I could be remembering incorrectly and possibly just having higher than realistic expectations since the new gear cost so much more than the last setup.  I think something like the bottlehead crack amp would be better suited.  I'm still ranking it #1 on my list due to comfort and what everyone else who properly drives them rates them at.  I think I'll get a SS amp for these cans, and pick up some planar's for my lyr.  win-win, right?  except my wallet loses.  always.

 

2. HD595 - My first "audiophile" setup.  Little dot II++ amp.  Blew my mind.  And ears.  Had some crap bose tri-ports that broke after a short while.  They were sadly the best I had heard, and after going through set after set of crap headphones at best buy, I decided to research.  Then I stumbled upon head-fi and fell down a deep pit.  A money pit.  Of delicious phonics.  These headphones are great for a lot of things, but they lack greatly in bass.  There's just no punch, and no extension.  Don't get these if you have to have bass in your music.  There's just a large lack of it.  Get closed headphones if you want bass.  These open 595's have a great open airy sound to them.  Vocals sound great on them.  Comfort is a big thing with senny and these are light and comfy.

 

3. monoprice high fi dj style headphones - don't hate!  they sound great for $26.  I actually like them better than my ATH-50's.  Quite a bit more.  First of all, they're more comfy.  They're MUCH lighter, and they squeeze less.  I also like the sound quality overall. 

 

4. ATH-50 - probably the most recommended entry headphones ever.  they're great.  they were great.  until those monoprice ones were discovered for a fraction of the cost. 

 

I've owned other junk before my "good" headphones.  None are worth mentioning.  Most of it sucked worse than my $10 walmart koss on-ear headphones. 

post #3778 of 4068

Ehh... changed my mind.

 

1: Sony DR-Z7:

--Perfection in everything but soundstage. Bar none.

 

2: Pioneer Monitor 10:

--Perfection in soundstage, greatness in everything else. Strangely sweet and special sounding with my favorite soundstage of anything, closed or open.

 

3: Pioneer SE-500 (modded):

--I thought the magic of these would be gone after the Monitor 10 came along since they sound so similar... but somehow that is not the case. I still adore them.

 

4: Sony MDR-605 (modded):

--Extremely listenable. Not the most detailed or precise thing, but pleasant sounding with a lot of air and a nice presentation. This would be my go-to budget recommendation if it wasn't so damn rare.

 

5: Audio Technica ATH-6D (modded):
--I'm starting to realize these aren't anything even remotely special... the soundstage is okay, but that's about it. Needs more treble and more detail. Very cloudy and murky sounding.


Edited by takato14 - 2/28/14 at 10:54pm
post #3779 of 4068

1. HiFiMan HE-5LE - New toy syndrome? I don't know but the minute I put them on I was in awe. Had a chance to compare a friend of a friends HE-500 and liked these slightly better. Wish they were still made.

2. Sennheiser HD650 - Very solid performer but prefer the LE's by a fairly large margin.

3. Shure SRH940 - My closed headphones for outside. Build quality is suspect IMO.

4. Ultrasone HFI-580 - First headphones bought, got them at a good price so I can't complain. Rarely use them anymore because I'm not into their sound signature as much as I once was.

post #3780 of 4068
Recently sold all of headphones and bought:

PSB M4U1

JVC HA-S680


Colour me a PSB fan. Simply incredible headphones.
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