I think this has been mentioned here before but I just got and read the book this week. It's of greatest interest if you are a dylan fan of course, but has much to offer even if you are just a music fan in general.
Dylan writes prose quite well which surprised me and I'm not sure why. The book does tend to ramble in parts but is overall well written.
It is also not linear and goes from talking about 60's era New York to early 80's New Orleans. The chapters are more subject based such as the making of Oh Mercy.
The value to me was the insight in to the creative process for him at least. For me , especially when you really like a song you tend to think of it as coming out of the gate fully formed when in the majority of cases it has been through many revisions and changes. Dylan does say that a few of the songs have come that way, but they were the great exception. The discussions on Everything is Broken and Dignity in particular were especially instructive. I have always kind of liked Dignity especially the interchange of Dignity as an attribute vs a person, but the song never seemed quite right to me and the knowing now how it was recorded makes it clear.
In any event the book is definitely worthwhile if you are a music fan.
One note of ambiguity that is vintage Dylan is that he makes multiple references to his wife but never by name. Of course since the book jumps around in time, "my wife" is different people in different places
Dylan writes prose quite well which surprised me and I'm not sure why. The book does tend to ramble in parts but is overall well written.
It is also not linear and goes from talking about 60's era New York to early 80's New Orleans. The chapters are more subject based such as the making of Oh Mercy.
The value to me was the insight in to the creative process for him at least. For me , especially when you really like a song you tend to think of it as coming out of the gate fully formed when in the majority of cases it has been through many revisions and changes. Dylan does say that a few of the songs have come that way, but they were the great exception. The discussions on Everything is Broken and Dignity in particular were especially instructive. I have always kind of liked Dignity especially the interchange of Dignity as an attribute vs a person, but the song never seemed quite right to me and the knowing now how it was recorded makes it clear.
In any event the book is definitely worthwhile if you are a music fan.
One note of ambiguity that is vintage Dylan is that he makes multiple references to his wife but never by name. Of course since the book jumps around in time, "my wife" is different people in different places







