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beyerynamic DT 150 Compact Closed Headphone (250 Ohms)


Pros: sound quality, soundstage, isolation, easy to drive, detail, balance, durable, user replacable parts, long straight cable, musicality, bass

Cons: not too classy, loooong cable, clamping force

I'm really only half a year into my serious headphone journey, which began when I got a pair of Shure SRH-840 and Grado 125i at around the same time, along with a solid custom headphone amp (which never ceases to amaze me) from my brother-in-law.  Both of those original headphones are gone now, but the journey has taught me a lot about my own tastes, pushing me ever closer to a pair of headphones that I would be happy with for the long term.


That pair is the Beyerdynamic DT-150.


Before starting, I'll go through a few things that I've learned in this journey, and how the DT-150 fits into those lessons:


1. Professionals know what they're doing.

I have found myself increasingly gravitating towards studio-driven products, and now all of my headphones are geared for professional use.  I believe strongly that this is where the deals are, and the DT-150 fits into that category.  All the money you spend goes into sound quality and build quality, and none of it is wasted on bling that most people would laugh at anyway.


2. Balance is important.

I am not a basshead, but I do like impactful bass.  Midrange is where the real magic is, and it shouldn't be sacrificed.  Highs are what gives music brightness, speed, and sparkle.  That's why the Grados are gone, and that's why the Beyerdynamic DT-990 Pros don't get much head time anymore.  The DT-150s reveal exactly what's in the music.


3. Musicality is even more important.

In theory and on first listen, the Shure 840s do a great job with lesson #2.  They just weren't that engaging, though, and a level of aggressiveness, responsiveness and musicality is just as importance as balance.  This is the danger with studio headphones, and it's one that the DT-150 avoids with ease.


After a month of listening to these headphones, I find myself a bit amazed that they haven't gotten more positive attention around here.  The buzz has been positive overall, but it's been awfully quiet.  


The headphones themselves are big, bulky, and feel like they could take a bullet.  All of the cables and parts are possible to replace, which is nice in an industry with so many stories about cables that disconnect, wood that cracks, and ear cups that fall off.  They do clamp fairly tightly, but I don't find them horribly uncomfortable.  I can certainly wear them for hours without problems, but I know a lot of people have found them less comfortable--definitely rule them out if you have glasses with thick frames or frames that stand out from the sides of your head.  Thanks to all the pleather, they do get sweaty as well.


Thankfully, the sound is absolutely sublime.  The DT-150s were originally made to build on the design of the classic DT-100, but with added bass response.  The design team definitely succeeded on that front.  I wouldn't necessarily call the DT-150s bass monsters, but they are happy to supply whatever level of bass recorded on music tracks.  They create an impressive sense of pressure on Massive Attack's Angel, which means they have both powerful and deep bass.  Even when the song gets more busy, the bass is still there as well (it gets buried on many other headphones).


The mids are equally excellent.  Many Head-fiers with studio experience claim that the DT-250s reflect voices and instruments more accurately, and I can't really comment on that.  What I can say is that the DT-150s showcase vocalists beautifully. They do a great job with guitar and piano as well, revealing minor details and depth that I had rarely heard previously.  The midrange doesn't quite have the sweetness of the GMP 450s, but it's much meatier.


The high end also exhibits the signature Beyer brightness, without ever threatening to ascend into harshness and sibilance.   If there is harshness in the recording, the DT-150 will reproduce it faithfully, but it definitely doesn't have the overbearing highs of the DT-990 Pro.  Even though the bottom half of the sound is so rich, it's the high end that prevents them from becoming too dark (I've definitely found that I like a brighter sound, though).


I wouldn't describe the DT-150s as either aggressive or laid-back, but they are definitely musical.  The soundstage is nice and wide, and they're highly responsive.  They do a great job with rock, easily wiping the floor with the Shure SRH-840.  They also do a great job with electronic music, movies, and games.  I don't listen to much jazz and classical, but they sound not bad on those genres either.  In the end, it's really the flexibility of the DT-150s that I've been so impressed with.  I wouldn't quite call them a chameleon, because they do have a distinct sound, but they largely stay out of the way of the music and deliver exceptional, well-balanced, engaging sound.  And that's more than enough for me.  


Pros: Sound, price and build quality

Cons: Non-proprietary connector, comfort, estetics (to some degree)


Coming from a K171S followed by a DT990, I guess I wanted a combination of the two - a somewhat flat-sounding closed set of cans combined with the comfort, size and soundstage of the latter.

The DT150 certainly does the trick. Much more "alive" than the K171S, quite comfortable*, "alive" yet flat-sounding enough to handle most genres with ease. Rock, metal, electronic music, ambient and hip-hop all feel just about right, opposed to the K171S (which lacks bass and soundstage) and the DT990 (which frequency response is too U-shaped for a lot of music).

Even though the sound may be described as "dark", the bass never gets in the way of anything else while sounding full and quite punchy. It also extends quite deep, avoiding at least some of the boominess that comes at a cost with most closed, bass-heavy cans. The treble is a bit less detailed than the DT990,  which results in less listening fatigue. Midrange isn't anything really special, but it sounds good, although it lacks the "magic" of the bass and treble.


Of course, all isn't that well. The bass can be overwhelming, especially on "remastered" tracks, it feels somewhat slow, and you don't get a very high-class feel: While solid built, it's still plastic and metal in its most functional form, and the looks are on par with industrial hearing aids. I like it, but it is far away from the "classic" AKGs and Beyerdynamics on terms of look.


For the tinkerers, the DT150 is very easy to disassemble, and may be a prime target for light modding.


The DT150 is at its best with a dedicated amp, but is far from unlistenable with a lesser source, though it  lacks some refinement in bass and treble. The 3,5mm plug adds to the portable aspect, with a nice screw-on 6,3mm adapter included (also fits AKGs). I'm using an Argon HA2 (Mistral Audio HP-509) DAC/HA, which is admittedly not very high-end but makes the sound in general more controlled. Works well with the PA2V2 as well, though it may be a bit dark.



Recommended if you prefer a relaxed sound, don't care about size or looks, and want something that probably will last forever. The non-proprietary connector is some of a letdown, but this is due to the modularity of the headphones, there is, according to the local Beyerdynamic dealer, possible to add a microphone afterwards, where the special connector comed into play.




* Once you stretch the headband, that is. Look at a picture of someone wearing the DT150 from the front, and you see the main reason why it is so hard on the head. Unless you need max. isolation, I suggest bending the headband to a C-shape rather than the "stock" D-shape, compare with the DT990/880/770 (which is indeed comfortable). by flattening the band at the "edges" (top and over each cup), and then trying to make a C-curve, of course without breaking the band (it is quite sturdy, but the cable runs inside it).


Pros: Authority in sound, large scene, not fatiguing, very durable construction, excellent price for the qiality factor.

Cons: Pleather pads need to be changed for velours. With not enough quality power amp may sound dull.

I just like these headphones so much. I was looking for for a long a realixing but engaging headphones. And finally found DT150. Sound is full, present, clear, and with perfect 3D presentation - even better than in some opened constructions. I prefere them more than Senn HD650, HifiMan HE500, Beyerdynamic DT990, DT880, T70, T90, T1 even for now...


Pros: Sins are of omission. They do almost nothing wrong.

Cons: To tight! I have a huge head which doesn't help. LOL

I bought 2 pair of these at an estate sale for $30. I replace my senns with them. I am down to 1 set now, and I am shopping for new phones. That is why I'm on this GREAT site. If I paid full price, I would be happy. I gave them only 4 stars for sound only because I assume there are better ones out there.

beyerynamic DT 150 Compact Closed Headphone (250 Ohms)

The DT headphones from Beyerdynamic are designed to give you professional, worry free monitoring in practically every application. A staple of many audio professionals in the broadcasting industry, the DT Series combines comfort and durability with a performance that you'll love. Essential headphones for broadcasting, film and recording, the DT 150 deliver truly professional performance at an excellent value. Features include a wide frequency response and extended bass response. The closed design of the DT 150 means excellent ambient noise isolation for reference monitoring!

FeatureImpedance - 250 ohm
Weight3 pounds
LabelBeyer Dynamic
List Price$239.99
ManufacturerBeyer Dynamic
Package Quantity1
Product GroupCE
PublisherBeyer Dynamic
StudioBeyer Dynamic
TitleBeyer Dynamic DT 150 Compact Closed Headphone (250 Ohms)
Model Name/TypeMPNEAN/UPC
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