Audioengine A2 Premium Powered Desktop Speaker Pair (White)

* September 2012 *

These just arrived yesterday, and ever since ... I haven't had them turned off. Previously I owned a Logitech 2:1 set up that packed some powerful bass, but after 6 years it was time for something new. I did lots of research on small 2 speaker setups that had amazing audio quality and some powerful bass without the need of a sub and it was Lunatique's review of them that persuaded me to purchase the A2s. I also didn't have much room, so they had to be small.

From the second I lifted up their postage box I knew I would be in love with their build quality. The box they came in must have weighed a good 15 pounds. I ran home from the mailbox and unboxed them. When I got the box opened all the cables were wrapped in their own velvet pouches (a really neat feature). The A2s were also in their own velvet bags; obviously for travel, but I do not plan on moving them much, if at all. Each speaker came in at just under 4 pounds. They stand about 6 inches tall and have a width of about 4 inches. They are about 5 inches long. So, these speakers are SMALL. But their build quality far surpasses any desktop speakers I have owned, extremely satisfied. 

I was a little worried about the silk tweeters and Kevlar woofers, both being exposed without any type of covering. But they seem to be well designed and shouldn't be a problem ... unless you have kids in your house. I remember when I was younger I liked to stick my finger in the holes on the speakers :O

When I first saw pictures of the A2s I thought the slot at the bottom of them (on the front) was some how a lock mechanism for the stands that fit into them, but they are actually the air release for the woofers (I thought perhaps these would be on the back or the bottom). Now these woofers really pack a punch, check the youtube video below uploaded by DoctorMacenstein:

http://www.youtube.com/watch?v=mTS3BBTfgQY

Of course, being one of the top 5 desktop speaker systems (in the head-fi rankings), the A2's tweeters sound amazing. The highs sound great through them and AudioEngine claims that this is because of their use of silk. Either way, these speakers sound 'otherworldly'. At least, in comparison to what I am used to sitting on my desk. Oh and by the way, I was a little confused about this so maybe others are as well ... the stands that you can get for these do NOT come with them. I figured they did not, however, every picture I saw of the A2s always seemed to have the stands on them. So I was kind of confused whether or not they came with them or not. But, they do not and are a separate buy. Which isn't a big deal. But, I feel as if these speakers need the stands. When angling the A2s up, the sound changes dramatically ... for the better.

Now, it is not all good. I was so excited to get these hooked up that I decided to test them out right on the kitchen dinner table with my iPod. While listening to Led Zeppelin I was taken-back by the audio quality, however during some early Linkin Park and to a greater degree some electronic music such as Basshunter, I noticed the bass seemed to be a little heavy ... in some cases it almost suffocated the mids. I realize Lunatique pointed this out in his review, but I thought I could cope with it, seeing as I enjoy a good amount of bass in my music. But, when I got the A2s on my desk and hooked up my Mac and such, the exaggerated bass was kind of annoying me. So I used the EQ built into iTunes to adjust the bass a bit, but I could not get it to where I wanted it (no, I don't normally play with the EQ levels). So again, Lunatique's review came in handy. I EQ'd how he had said and from that point on haven't looked back. 

So, just to sum up. As an average consumer, that loves his music, these little guys are incredible. The price was in my range and the size was what I had in mind. Nothing could have made me happier. I hope their sound quality grows with age, because I do not plan on getting rid of these any time soon.

Josh

* October 2012 Edit *

The fact that the volume nob is on the back of the left speaker annoys me. I thought it wouldn't at first, but because I use these with my laptop, and I take my laptop with me everywhere, unplugging the A2s without turning them off warrants some ****ty feedback (as most of us have heard). Also, I have decided to not get the stands for my A2s. Even though they sound better when being angled up, I just can't cough up the money for them right now, and I fear that the stands would make these speakers wobbly.

WEBLOG:
While staying at our temporary apartment in Sacramento, California (we’re here shopping for a new home), I badly needed a pair of small desktop speakers for my laptop. After much research online, comparing reviews and assessing the specifications, I ended up with the Audioengine A2‘s.

Here’s how they look in our current temporary apartment:

In the past, I usually travel with a very old pair of Altec Lancing ACS-90‘s I scrounged from the storage room scraps, when I contracted briefly at Broderbund/Red Orb in the late 90′s as a texture artist (working on Prince of Persia 3D). They used to be my designated traveling speakers, since the size is small enough to travel with and the build is fairly sturdy, and they actually sound quite good for their size. The sonic signature isn’t fatiguing, and there’s no annoying bass bloat like many of today’s speakers that try to impress typical consumers who don’t really care about fidelity and accuracy. Unfortunately, the power switch no longer works and I couldn’t fix it.

Because my Alec Lancing speakers are no longer working, I only took my Audio-Technica ATH-M50 headphone and my Westone 4 in-ear-monitors on this trip. Now, I’m obviously a headphone lover, but the truth is, as much as I love headphones, they will always be secondary to speakers in my life, because speakers are just that much more dimensional, natural, and convenient to listen to; there’s nothing on your noggin that could fall off, or prevent you from hearing important audio cues like phones, doorbell, neighbor screaming for help, and it’s much easier to share music with others.

After enduring only being able to use headphones for a couple of weeks, I just couldn’t stand it anymore, so I hopped online and searched for current small desktop multimedia speakers with excellent reviews. After weighing the pros and cons (size, weight, cost, portability, sound quality) and reading a bunch of professional and customer reviews, I ended up choosing the Audioengine A2.

My main reasons for choosing the A2′s were:

1) In the range of highly rated tiny speakers, they are one of the smallest, yet has the sonic signature of larger, serious speakers (audiophile/pro audio grade, as opposed to typical consumer grade). This was according to all the rave reviews out there from professional reviewers as well as consumers.

2) Stereophile has a review for the A2′s that’s practically foaming at the mouth about how incredible they are.

3) They’re the only tiny desktop speakers out there designed and manufactured in a way that’s unlike typical small multimedia speakers that use plastic and harsh sounding tweeters. The A2′s use MDF cabinet, silk dome tweeters, and Kevlar woofers, which is usually only used for larger speakers. I’ve never seen this type of design/construction used for tiny desktop speakers.

None of that makes any difference at the end of the day though. The only thing that truly matters is how they actually sound. So let me cut straight to the chase.

Yes, these are nice speakers, and for the most part they do sound very good–better than you’d think they ought to at their size, but they have two severe flaws. First, look at the frequency response graph that came with the same Stereophile review that many people like to refer to.

The bass at around 180Hz is prominently exaggerated by around 6 dB or so, and if you use a parametic EQ with modereate bandwith/Q and cut the bass at 180Hz by about -6 dB, you’ll hear what neutral/accurate is supposed to sound like. With EQ’ing it sounds much better, with more clarity and definition in the lower frequencies instead of muddied, boomy mess. Then, turn off the EQ and it’ll be painfully obvious how colored the A2′s are, after having heard the more accurate/neutral EQ’d correction.

I’m surprised by how many people out there are claiming these speakers have tight, clean bass. Can they tell the difference between neutral/accurate frequency response from colored/skewed response? Apparently, most can’t, because if you look at the reviews on Amazon, only a tiny minority of the customer reviews criticized the exaggerated bass that muddied the overall sonic signature. Even the professional reviewers who are supposed to be pro audio/audiophile experts, seem to have glossed over this severe flaw.

I don’t know why Audioengine chose to color these speakers with muddy, exaggerated bass. They actually tweaked the EQ of the DSP chip inside the speakers to get that sound, as the speaker driver/cabinet/port design is not capable of producing that kind of exaggerated bass on their own. Such a shame. These speakers could have been brilliant, but as is, they are marred by the aggressive EQ/DSP tweaking by Audioengine for what I believe, an attempt to please the typical consumers who grew up with exaggerated bass that’s so common in today’s consumer audio.

Here’s something interesting though–the A2′s actually smooth out in the bass if you aren’t listening to them in the normal listening position (with the speakers placed directly in front of you, on either side, in equilateral triangle, angled 30 degrees towards each ear). So if you are just using the A2′s to play music while walking around the room, instead of sitting between the speakers as one normally would, then the A2′s actually sound better. Maybe that’s why Audioengine colored them that way, but I doubt it, since most people listening to desktop speakers while sitting at a desk–that’s why they’re called desktop speakers. If they wanted to color the A2′s for general room listening, they could have added a bass-boost switch, so those who do listen sitting down at the desk and turn off the bass boost.

Aside from the coloration in the bass, I do like these speakers a lot. The mids and treble are very nice and smooth, though at around 900Hz and 4KHz, it could use around 3 to 5 dB of boost with moderate bandwidth/Q, in order to reach better accuracy/neutrality. But most speakers that aren’t high-end would display some kind of dip or peak in the mids or treble, and the A2′s overall frequency response in the mids and treble is good enough that I would feel fine not EQ’ing them. But because I must EQ the bass, I might as well take care of the mids and treble too.

Here’s the EQ correction I use to make the A2′s more neutral/accurate:

In terms of visual design, the A2′s are really nice to look at (the white version is especially striking), and they’re also constructed very well; they feel just like professional studio monitors, but shrunken down to miniature size. Anyone who’s familiar with the general quality level of small desktop speakers on the market can immediately tell that the A2′s are much higher quality than the typical plastic toys out there.

Here are a few official photos from Audioengine:

They coms in black as well:

The A2′s use an AC adapter for power supply, and that’s totally fine by me. I personally never understood why some people hate the power blocks. I think they’re far better than wall-warts, and also better than adding bulk to the product’s size. Some reviewers like to point out that the A2′s use “real speaker wires,” but I’m not sure if it’s really relevant, except for maybe that you can use your own custom-length wire if you need to space the speakers very far apart (which isn’t a good idea anyway if you want to maintain any semblance of decent stereo-imaging).

The only other thing I dislike about the A2 besides the exaggerated bass, is the fact that the volume knob is placed in the back. Seriously, that’s just a really bad idea, because most people who would buy this type of tiny speakers aren’t using monitor/speaker controllers, and controlling volume with the computer software is just too dangerous; you’re one computer/software crash away from blowing out your speakers and damaging your ears permanently. Audioengine says that there’s no room for a volume knob in the front, but why can’t they think outside the box? I’d have preferred they charged a little more and provided a separate volume controller knob that’s plugged into the speaker, with about a foot long of cable (sort of like a wired remote control).

Overall, I would say that I have mixed feelings about the Audioengine A2′s. On one hand, it’s a quality product that’s rare in the world of tiny desk top speakers. On the other hand, the exaggerated bass can be a deal breaker for some (unless you EQ the speakers like I do). But once EQ’d, the A2′s do sound damn good, producing a balanced, pleasing sonic signature, and can reproduce low frequencies meaningfully down to about 60Hz without distortion. That’s no easy feat for a pair of tiny speakers. If Audioengine had voiced the A2′s without the bass exaggeration, it would have been one of the best price vs. performance ratio products I’ve ever had the pleasure of experiencing. Luckily for me, I don’t mind using EQ to refine my audio system–it’s something I do all the time anyway in my studio with all my speakers and headphones–all of them are fine-tuned for ideal neutrality/accuracy. If I’m doing that to my $7,000 reference studio monitors (using IK Multimedia’s ARC System and additional EQ), then perhaps I shouldn’t expect a $200 pair of tiny speakers to perform perfectly without any EQ.

In terms of competition, there are maybe about two or three competitors out there that can match the Audioengine A2′s in terms of sound, construction, and looks, but they tend to be either bigger in size, or too small to have any meaningful bass, or more expensive. Off the top of my head, here are a few alternatives (2.1 systems don’t count, since they include a separate subwoofer):

Audyssey’s Media Speakers

JBL’s Control 1 Pro

Bose’s Computer MusicMonitor

In terms of accessories, Audioengine sells angled speaker stands for the A2′s (it’s the black wedge under the speakers you see in some of the photos). At $29, they are expensive for a couple of rubber wedges. If you are handy with tools, you could build something similar with wood or plastic. They also sell wireless adapters/receivers, wireless DAC, and other quality products.

Audioengine makes a subwoofer (the S8) that you can get for the A2′s, and on paper, the subwoofer’s specifications look really good (only 11″ cube, with 8″ driver, and reaches down to 27Hz). I’m probably not going to get one, because the only reason I got the A2′s is for portability during traveling, and the A2′s by themselves already weigh far more compared to typical small desktop speakers (roughly 6.7 lbs. for the pair, not including the AC adapter). I might consider getting the sub to keep it in the studio though, so that I can use the Audioengine A2′s with the sub as a complete 2.1 system, acting as a third opinion (the first being the Klein+Hummel O 300D’s and the second being the Logitech Z-5500). But that seems a bit redundant, since the first two opinions already cover all of my needs (critical high-end audio, and surround sound). Maybe I can put it somewhere else in the house–I’ll have to see after we finish moving into the new home.

…

Here’s a related tip for those of you that want to EQ the audio output of Windows OS (instead of EQ’ing just the media player audio). You can google for “RTLCPL.exe,” which is part of the AC97′ driver bundle, and is compatible with most of the computers running Realtek AC97′. This is what it looks like:

There are instructions on the web on how to make it work with your computer, and once you’re done, you can then use it to EQ the audio output of your Windows OS, which means the EQ will affect any typical situations like videos and audios streaming off the web through your web browser.