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RYcet. The 35mm F/2 can get fairly close, though not true 1:1 macro. The 35mm F/2 is about 300$, and the nikon micro 60mm is about 400$. Close enough in price.
Originally Posted by stuartr
Unless you are going to be shooting macros all day everyday, why not just make it out of shirt cardboard, foam core or mat board...they are all white, easy to cut into shape and cheap. 165 dollars (excluding shipping I assume) seems like a lot of money what is essentially a box with some holes in it.
As for getting away with your 35mm lens, what do you intend to do with these shots? For less than the cost of the box thing you can get a 55mm manual focus macro lens...I am not sure if it will work on your camera, but there are certainly cheap options out there...you will not need AF to shoot this style of subject, nor will you need the clearance of a 105mm lens. The lens is certainly more important than the box. Check out KEH Camera: Used Cameras, Digital Cameras, Film Cameras, Laptop Computers and More. if you are interested in looking at used equipment...they are very reliable.
Thank's towert7 & stuartr, I'll see what I can get w/ my 35 f/2 or canon 50 1.8? If I'm not satisfied, I probably splurge on tamron 90sp
Originally Posted by lan
That box seems ok given that it has it's own lights. It has the cons of being small and the lights are not flexible meaning you can't change their angle nor the brightness. It has the pro of being easy to use and portable.
You could make something yourself but you'd need lights. Sometimes it's ugly or too much to setup a bunch of stuff and it might not be as portable.
I use a light tent as a middle ground and multiple flashes. This is the one I use. Photekusa.com The smallest size is like <$50. Pros are that it's portable, you can use your own backgrounds, you can mess with your lighting. With this particular tent, I can orient vertical or horizontal, light from different sides including bottom.
As for the lens, you can use your cheap zoom if you have one and if you have working distance. See how it works out for you at first.
If you're going to shoot jewerly in particular, it's hard. They reflect everything. I'm trying to learn it myself right now. Here's some images I took tonight.
edit: hmm there's something off with this image but I'm not fixing it. It's just a test image.
That's pretty good, the lighttents seems better than that ebay lightboxes. How do you setup to take that pic? How many lights, positions, external flash, camera, lenses? Can I get away w/ my d300 internal flash?
__________________ Life is not perfect, however you can make it better. The journey of a thousand miles begin with one step -- Lao Tze When you are rich, you're not crazy, you are eccentric ------ Lionel Luchtor
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Headphoneus Supremus: Videographus Supremus: Makes audio cables using super-advanced materials, like "some clear tape" and "some not so clear tape."
Originally Posted by RYCeT
That's pretty good, the lighttents seems better than that ebay lightboxes. How do you setup to take that pic? How many lights, positions, external flash, camera, lenses? Can I get away w/ my d300 internal flash?
For thin objects or something where I want side definition, I like to light from both left and right sides. It adds some dimensionality.
I use 2 flashes although I'd prefer a third from the front sometimes for a little fill if the object is larger. You just have to experiment. Here I was using my Canon XTi w/ hotshoe PC sync, 24-105L lens from f/8 to f/11, 580EX w/ hotshoe PC sync, Vivitar 285HV w/ Wein peanut optical slave. You can do it with any camera or lens combo.
No you can't get away with the internal flash. The advantage of the external flashes is that you can control their setting all manually. You want the camera on manual also.
Here's another photo set but with the 2 flashes inside the tent to the sides of the objects firing up. I had to block the light coming toward the lens or I'll get some flare.
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lan's Head-Fi International Meet 2008 "CanJam" High Definition Videos! are here
lan's Head-Fi Meet 2007.Nov.10 High Definition Videos! are here
lan's Head-Fi International Meet 2006 High Definition Videos! are here
My advice to you:
- Use your own ears as everybody's hearing and preferences are different.
- Try to audition as much equipment as possible to find your sound.
- Buy used to save money.
I have a D50 with the stock 18-55 and 55-200. I also have the 50mm f/1.8D AF and SB 800. I'd like another good, versatile, fast lens that won't break the bank. Probably would be used most for indoor shots like holiday gatherings and CanJam, etc. But I'll consider all "must haves." Your guidance is appreciated. Thanks!
P.S. I am an advanced beginner--at best.
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imac | north star m192 mkii | 007tII | 007 mk2 • lambda signature • lambda pro
If you need a fast indoor lens, you might want to try looking into the 85 1.8. It's not as fast as the 1.4 obviously, but it's a good performer and much, much cheaper. I'd also say 35mm 1.4 or Sigma 30mm 1.4 but it depends on what kind of inside shots you're planning on doing.
On another note, I got my D200 combo in last week and wasn't that impressed. I love the wide end of the 12-24 and will definitely be picking a super wide angle zoom up in the future, but the build didn't seem that great to me and it's much smaller in person than it appears online, in actuality it doesn't feel much bigger than the 18-70 kit lens. I also wasn't pleased with the amount of noise that the D200 exhibits, ISO 1600 is completely unusable compared to that of my D50. All in all it doesn't matter since I had to send the camera back anyway (It wasn't as described ) but I'm not sure if I'm still going to be looking for a D200 anymore.
I have a D50 with the stock 18-55 and 55-200. I also have the 50mm f/1.8D AF and SB 800. I'd like another good, versatile, fast lens that won't break the bank. Probably would be used most for indoor shots like holiday gatherings and CanJam, etc. But I'll consider all "must haves." Your guidance is appreciated. Thanks!
P.S. I am an advanced beginner--at best.
I'll echo the recommendation for the Nikon 85mm F/1.8.
With this lens, and a Nikon 20mm F/2.8, I can take almost any picture I would ever want at a headphone meet. A flash becomes optional unless you have very dim lighting. The 85mm is great for people 3/4 - 1/4 people shots, and for tight gear shots. the 20mm is nice for wide angels to capture the whole picture.
I'm not sure how you use your camera and flash, but the default of 1/60 of a second for flash shots is going to be too slow for the 85mm. You would just have to bump it up to a faster shutter speed. Your D50 can sync up to 1/500 of a second.
You really can't go wrong with most of the current nikon fixed focal length lenses.
You just need to decide what focal length you want.
The 35mm F/2 is also a great lens for holiday gatherings.
Headphoneus Supremus: Videographus Supremus: Makes audio cables using super-advanced materials, like "some clear tape" and "some not so clear tape."
Originally Posted by skyline889
On another note, I got my D200 combo in last week and wasn't that impressed.
Exactly what were you expecting? Didn't you read reviews and seen many photos people took with it?
__________________
lan's Head-Fi International Meet 2008 "CanJam" High Definition Videos! are here
lan's Head-Fi Meet 2007.Nov.10 High Definition Videos! are here
lan's Head-Fi International Meet 2006 High Definition Videos! are here
My advice to you:
- Use your own ears as everybody's hearing and preferences are different.
- Try to audition as much equipment as possible to find your sound.
- Buy used to save money.
Well I wasn't expecting much more but from the reviews I read, I was expecting better noise performance than what I got. I knew high ISO performance wasn't the D200s strong point but I didn't expect it to be substantially worse than the D50.
Well I wasn't expecting much more but from the reviews I read, I was expecting better noise performance than what I got. I knew high ISO performance wasn't the D200s strong point but I didn't expect it to be substantially worse than the D50.
Wow, I never really read up on the D200...... so this comes as a shock to me.
So, going to upgrade to the D300?
Headphoneus Supremus: Videographus Supremus: Makes audio cables using super-advanced materials, like "some clear tape" and "some not so clear tape."
I think 6MP was the sweet spot for APS-C sized sensors. Yeah the megapixel race sucks.
There were no reviews of D50/D70s vs. D80 high ISO?
__________________
lan's Head-Fi International Meet 2008 "CanJam" High Definition Videos! are here
lan's Head-Fi Meet 2007.Nov.10 High Definition Videos! are here
lan's Head-Fi International Meet 2006 High Definition Videos! are here
My advice to you:
- Use your own ears as everybody's hearing and preferences are different.
- Try to audition as much equipment as possible to find your sound.
- Buy used to save money.
I was expecting better noise performance than what I got. I knew high ISO performance wasn't the D200s strong point but I didn't expect it to be substantially worse than the D50.
I've never been overly pleased with anything over 800 ISO on my D2H cameras, but I've found that if you're able to perfectly nail both White Balance and more importantly exposure, it's greatly improved. Even slight under-exposure really increases the noise level. Using a light meter helps ... as does bracketing.
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