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Headphoneus Supremus: Videographus Supremus: Makes audio cables using super-advanced materials, like "some clear tape" and "some not so clear tape."
I'd get an Canon XSi for a more modern camera or a Nikon D80.
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My advice to you:
- Use your own ears as everybody's hearing and preferences are different.
- Try to audition as much equipment as possible to find your sound.
- Buy used to save money.
In my experience, prime lenses (lenses with a fixed focal length) offer the best value and performance and generally trump zoom lenses of similar cost. Unfortunately, Nikon's entry level camera's can't AF with over 90% of Nikon's prime lenses as you probably know - so I'd suggest sticking with an entry level Canon and dumping the rest into, say, a 50mm f/1.4, and an 85mm f/1.8.
__________________ Main Rig: Kenwood DP-1100II CDP -> Heath AP-2510 Preamplifier -> MAD EAR+ HD -> Grado RS-1's Photo-Fi: Nikon D200 - 35mm f/2D - 85mm f/1.8D - 80mm-200mm f/2.8D
i dont know what you mean by... canon isnt a "dedicated" photography company... but the last time I checked, MOST people were choosing 50/50 between canon and nikon.
IMO, id never get a d40, if i was go to into photography, id get at least a "step up". Many people say the D40 is the best "bang for bucks"... but then a lot of people say D60 is too.. (its like the arguement between best bang for SR60 vs SR80)
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i dont know what you mean by... canon isnt a "dedicated" photography company... but the last time I checked, MOST people were choosing 50/50 between canon and nikon.
IMO, id never get a d40, if i was go to into photography, id get at least a "step up". Many people say the D40 is the best "bang for bucks"... but then a lot of people say D60 is too.. (its like the arguement between best bang for SR60 vs SR80)
If the D40 had an autofocus motor, I'd recommend it everytime to over 90% of people. Unless you're really looking for a pro-quality build and a few extra features, there's nothing "inhibiting" about even the most entry-level SLR; they take great pictures, have a nice form factor, and, with the exception of continuous shooting speed, compare competiitvely performance wise with many more expensive models.
The only real difference in quality I've noticed moving from a D40 to a D200, for instance, stems from the pro-grade lenses I've used with it - in terms of megapixels, the jump from 6 to 10 really isn't as pronounced as many people imagine.
So, again, I'm standing by my recommendation for the Canon XTi or even XT, because they can all use high end lenses while leaving you the budget to accommodate them.
__________________ Main Rig: Kenwood DP-1100II CDP -> Heath AP-2510 Preamplifier -> MAD EAR+ HD -> Grado RS-1's Photo-Fi: Nikon D200 - 35mm f/2D - 85mm f/1.8D - 80mm-200mm f/2.8D
Thanks for all the help, guys. I was going for a D40 at first, but now...aiming for a Canon Rebel XTi now.
(Of course, I want a XSi, but my budget would probably allow only the purchase of the body )
What lenses for the XTi do you think I should get with my remaining $200-$300?
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then I would recommend something like the Sigma 17-70mm f/2.8-4.5 DC Macro (~$350 used i think... fantastic walkaround lens) and a nifty fifty (EF 50mm f/1.8... ~$65 used)
or you could probably spend a little less money on the walkaround and get something that's still pretty decent and save some cash for a telephoto lens as well... like getting a 28-135mm f/3.5-5.6 IS USM (~$300 used) and a Sigma 70-300mm f/4-5.6 APO DG Macro (~$160 used)
that would be a good option if you need/want a telephoto right away. if i were you i would go straight away for the 17-70 and nifty fifty though, and save up for a telephoto... because that sigma is seriously a great lens.
Now, don't try these calculations without Mathematica handy, but that would leave you with $431 for optics. That gets you a very nice prime or a more-than-decent zoom lens like the Tamron 17-50mm 2.8 that many like so much.
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"Common sense is the collection of prejudices acquired by age eighteen."
- Albert Einstein
Last edited by Samgotit; 06-15-2008 at 10:38 PM.
Reason: I left shipping out of my fancy calculations.
You can get the XSI plus lens kit for $836, and that's the new IS kit lens . Maybe put the extra cash toward the 50mm 1.4 or a nice tripod and away you go. You can alway sell lenses when you feel the upgrade pangs.
__________________
"Common sense is the collection of prejudices acquired by age eighteen."
- Albert Einstein
You can get the XSI plus lens kit for $836, and that's the new IS kit lens . Maybe put the extra cash toward the 50mm 1.4 or a nice tripod and away you go. You can alway sell lenses when you feel the upgrade pangs.
The XSi really isn't that much better than the XTi, though - and the OP can probably do better than the 18-55 (which isn't bad, I should mention) with the difference in price.
__________________ Main Rig: Kenwood DP-1100II CDP -> Heath AP-2510 Preamplifier -> MAD EAR+ HD -> Grado RS-1's Photo-Fi: Nikon D200 - 35mm f/2D - 85mm f/1.8D - 80mm-200mm f/2.8D