USB to SPDIF converters shoot-out : EMU 0404 USB vs. Musiland Monitor 01 USD vs. Teralink-x vs. M2Tech hiFace
System Used :
Main Chain :
Foobar 0.8.3 (KS and Otachan ASIO) --> Wireworld USB Ultraviolet --> USB TO SPDIF converter --> Hi-Fi Cables & Cie Sobek or 18 ft. Belden 1694 BNC Cable --> Audio-GD DAC-19MK3 --> Hi-Fi Cables & Cie Khnoum RCA interconnect --> Audio-GD C2C (w/ upgraded pot) --> Moon Audio Blue Dragon V3 cable --> Sennheiser HD-650
Usb to spdif converters :
EMU 0404 USB
Musiland Monitor 01 USD
Teralink-X
M2Tech hiFace
Power related accessories :
Hi-Fi Cables & Cie PowertransPlus Power Cords
Supra Mains Block
Essential Audio Tools Parallel Filter
Vibration Control :
E&T Spider Rack, Vibrapods, Vibracones, Sandboxes, Brass cones, Acrylic and Fiber carbon sheets,
Herbie's Audio Lab Tenderfoot, SuperSonic Component Stabilizer
Other gear :
Sources : Creative Audio 2ZS Notebook, EMU 0404 usb, Zero DAC, Audio-GD DAC-100
Headphone Amps : Little Dot MKIII, Audio-GD ST-3
Introduction:
Over the time I accumulated a few usb to spdif converters commonly discussed on head-fi, so I decided to write a comparative review of those units. Granted it is a bit tricky to describe the sound of a component that exclusively does its work on the digital level, however the differences do exist and I tried my best to describe how they compare to each other.
Jitter - theory :
There has been a lot of things about jitter. I found an interesting article
here on TNT-Audio explaining jitter and the difference between transmitter jitter, line induced jitter and interfering-noise induced jitter.
There is a theoretical advantage of using a usb to spdif converters instead of a direct usb connection to the dac is an added layer of isolation and "jitter rejection". Below is a quote from an email exchange with Marco from m2tech : "S/PDIF receiver which, you certainly know, has a feature which is "jitter rejection", a figure that typically ranges 20 to 30dB: this means that the input jitter to an S/PDIF receiver is reduced by a factor of 10 to 30... 970ps become 100ps quite easily."
This might explain while I found that all 4 units performed better than the direct USB inputs of the USB dacs I have.
I even found out that when using the Musiland as a transport (using optical) for the EMU 0404 USB it gives better results than its USB input.
(Edit -- The intent of this thread is not to discuss jitter theory or treshold audibility of jitter. Please read the following post Do not discuss DBT in this or any other forums except the Sound Science forum. before posting on those topics.)
Test Protocol :
Before writing my review, I did many A/B tests going back and forth between different units. And besides those A/B tests, I also did extended listening with all those units to get more familiar with their sound as sometimes
To make sure I was not adding any unforeseen parameters, for each A/B test I would use the same usb port, the same usb cable and the same digital cable (used in the same direction).
I did try various digital cables but did most my listening with the sobek digital cable as I was very familiar with its sound. For those who might think that digital cables do not matter, you can find
Here a link of an old stereophile article that measures the jitter of various digital cables which show that even the direction of the cable can affect the sound. During my test I tried to beconsistent comparing units with the same digital cable (used at the same direction), and then compared again the units with a different digital cable.
I also tried different usb cables but I ended preferring the Wireworld Ultraviolet usb cable. I did most of my testing with that usb cable except with the m2tech who doesn't need a usb cable.
Ease of use & Drivers :
EMU 0404 USB :
The EMU 0404 usb is a very versatile unit. It can be used as a DAC, headphone amp, and also a USB to Spdif converter. However, it requires custom drivers and the digital output works only with ASIO.
It has optical and rca spdif output but it lacks a BNC output which might be a drawback for some.
The EMU can do 24/192 thanks to its custom drivers.
Musiland Monitor 01 USD :
The Musiland is a wonderful little unit. It needs custom drivers that work up to 24/192. It works with DS, KS and ASIO so that it can be used with any player.
It has BNC, Spdif and optical out. I am currently using it with the 1.0.3.2 driver and it works flawlessly.
Teralink-X :
The Teralink is the easiest to use. It doesn't need custom drivers and works with Direct Sound and ASIO (through ASIO4ALL).
It has I2S, BNC, Spdif and optical out. This one is a "plug and play" unit that performs flawlessly but is limited to 16/44 and 16/48.
It is possible to install custom drivers (thread here) but there are no sonic benefits in doing it (those drivers introduce many additional processing to the sound which I found to cause a degradation to the sound in my opinion).
M2Tech hiFace :
The M2Tech hiFace is a very minimalistic unit : it has only one output (I ordered mine with a BNC output) and it plugs directly into a usb receptacle without the need of a usb cable. For now, it has only drivers that work with Kernel Stream and it works with Foobar, Media Monkey and WinAmp.
DS and ASIO drivers are expected later down the road.
The unit does 24/192.
Sound :
First, all the usb to spdif converters listed in this review outperformed the usb inputs of the DACs I have on hand. So as long as they are used with a decent spdif cable (such as the affordable 18ft. Belden 1694 digital Cable), there should be sound improvement in many dacs (at least with the ones I tested).
Second, I have noticed big differences between usb cables. So I settled for the review on the best one I own (the Wireworld Ultraviolet USB) and used it for all the converters and the DACs except for the m2Tech Hiface. Therefore, it is important to note that the m2tech converter has a slight comparative advantage since it doesn't need the use of a usb cable.
Also, for those who might be interested, I wrote a full length review of the DAC-19mk3 (
here) that I used for this review. It should give a good idea of a baseline of the sound in my system. I was using the Musiland back then with the Mode A digital filter for the DAC-19 mk3 and the ST-3 head-amp. Since then I upgraded to DF-1704 digital filter (mode B) and the C2C head-amp which made my system more revealing and transparent.
EMU 0404 USB :
I had the 0404 usb for a long time, so I was very familiar with its sound from its analog outputs. When used as usb DAC, the EMU 0404 USB is "bright" sounding, lacks deep bass and the overall sound can be described as "edgy". The sad thing is that those attributes also reveal themselves in the digital output which sound edgy and congested in the top and light in the bass in comparison with the other converters I have.
However, compared to the usb inputs of the Audio-gd DAC-19mk3 or the DAC-100, it is a noticeable step up in resolution and bass tightness.
Also, it is very sensitive to the latency settings : setting that latency from 2ms to 4ms can definitely improve the sound of the higher latencies. However, the EMU 0404 becomes more sensitive to anything else running in the computer and it shows trough crackles and pops. This is especially true forFLAC files as even 24/96 wav files can play at the lowest latencies without a glitch.
Note on USB cables :
I first discovered the effect of usb cables while using the EMU 0404 usb with the Audio-GD DAC-100.
I was doing a comparison between the spdif input of the dac-100 and its usb input, and for a few trials I preferred the spdif input using the EMU 0404 as a transport. When I did the same experiment a little bit later, I found that I preferred the sound of theusb input of the DAC-100 over that of EMU 0404 as a transport. The only thing that changed between experiments is that I used a Belkin cable with the DAC-100. I repeated the experiment many times and could detect the differences : the culprit was the stock usb cable that comes with the EMU 0404 that it is the worst sounding of all (it is also poorly constructed with thin conductors and ferrite shielding).
That led me to buying different usb cables from Monster, Real cable, Belkin Gold, and finally Wireworld Ultraviolet. All of them have different sounds but the Wireworld is clearly superior sounding and it also allowed me to reach the lowest latency settings with the EMU 0404usb without suffering from crackling and pops.
Musiland Monitor 01 USD :
The Musiland Monitor 01 USD is a definite step up in sound quality compared to the EMU 0404 USB (and incedently compared with the usb input of the dac-19mk3).
The highs are cleaner and the bass tighter. The soundstage is a little bigger and there is better separation of the instruments.
I tried different latency settings with the asio control panel of the musiland but it didn't seem to affect much its sound performance. The good thing about the Musiland is it always operates without glitches whatever the load is on the cpu.
Finally, while it is not harsh sounding like the EMU 0404 usb, it lacks some of the sparkle and life that the better converters (teralink, hiface) seem to inject to music. It is not bad by itself but the music seems to be constrained and tight once it is compared with better units.
Note on usb cables :
While the async protocol should make the kind of usb cable that is used irrelevant, the Musiland is however still affected by the choice of the usb cable. It is probably because it draws its power from the computer but is also possible that is still affected by incoming jitter from
Teralink-X :
When I bought the Teralink-X, I was not expecting much from it. At that time, I already had the Musiland unit and I was just curious to see how it performs because it uses high grade capacitors and a low jitter clock.
Straight out of the box it performed very well. After a few days of burn-in, the sound improved dramatically and it outperformed the Musiland unit easily.
The bass got deeper and more powerful, and the highs became more extended and sweeter at the same time. It is like lighting up a picture and discovering hidden details. But best off all, that increase in overall resolution did not increased the "edginess" of the sound. In fact, the sound became smoother.
The soundstage became bigger, almost limitless. In fact, on most recording I don't feel that I am listening to headphones, the only thing that keeps reminding that I am listening through headphones is the pressure of thesennheiser hd-650 on my head.
The imaging is precise, and hollographic in many recordings thanks to the precise separation of instruments and voices. Every instrument/singer has its own place on the soundstage.
Overall, I find the sound sometimes too good to be true. I got accustomed that only a few "audiophile" recordings sounded great in my system, however with theTeralink -X all recordings sound enjoyable in my system. I can still hear big differences between quality of recordings, the encoding used (mp3,flac, wav), but the Teralink-x, especially when paired with the Belden BNC cable, lets you focus on the positive sides of the recordings which is some might call "musicality".
Note on digital cables :
The Teralink-X works best in my system with the Belden BNC cable.
When paired with the Belden cable it gives a wide soundstage and a very smooth sound, "tubey like".
When paired with the Hifi Cables Sobek BNC cable, I get an increase in resolution, but a smaller soundstage and an increase in brightness "edginess".
Note on burn-in :
The Teralink-X needs a few days to sound its best. It doesn't sound bad at first but after a dew days of continuous play-back, the sound opened up and the bass got deeper. TheTeralink -X uses many capacitors inside that might explain the big change in sound that I did not notice to that extent (or at all) with the other converters
M2Tech Hiface :
The m2tech hiface is my newest usb to spdif converter, I have only owned it for a few days, but I have listened to it for enough hours now to get a sense of how it sounds. This minuscule unit is simply outstanding.
First, the music just makes more sense. The notes flow more easily and it requires less efforts from the listener to understand what the performers were trying to convey. There is also a general increase in resolution that makes the music more real, probably because of its better retrieval of low level information on the recordings which makes reverbs and ambiance hall more audible in Live recordings and Classical music.
Second, the soundstaging is wonderful. It has a better pinpoint and 3D imaging than the other units, and there is a even better separation of instruments and voices. In fact, whether it is because of better imaging or because of better dynamics, the result is that instruments and voices seem to have more acoustic power (while playing at the same volume levels as I did with the other converters), the presence factor of performers and instruments is much higher.
Also, while the soundstage with the Teralink-X is big, there is not as much differentiation between recordings. With the hiface, the soundstage changes a lot (in width, depth and height) between different recordings.
Finally, the frequency extremes seem to have been extended with a more shimmering and extended highs and more articulate and tuneful bass. Compared to theTeralink -X, there is also a shift in the tonal balance to a more neutral and faithful balance. There is a better differentiation between the quality of the recordings and it doesn't impose a sound signature on the recordings : Warm recordings come out as such and over-processed recordings are highlighted as such but are still enjoyable to listen to.
Note on digital cables :
Differences between digital cables are more easily spotted : the Belden is muffled, there is also haze and distance to its sound which gave me the impression of a big and wide soundstage.
The Sobek has a better resolution, is razor sharp, highs are more extended, and the overall perceived volume is louder probably because there is more information coming through to the dac.
Once I bought the 18 ft. Belden cable, I didn't like the sobek as much as I used to before when I used it with the other converters because it was more honest and showed the shortcomings of those units.
With the hiface I can enjoy the high resolution sound provided with the Sobek.
Note on media players :
Since I have had the hiface only for a few days, I did most of my testing with foobar 0.8.3 and foobar 0.9.6.4 with KS.
I preferred the sound using the old foobar 0.8.3 but the current version of the driver has a bug with 0.8.3, the time slider of track doesn't move when playing.
I tested briefly MediaMonkey and I made the Hiface work with ASIO4ALL. Then I tried ASIO4ALL in foobar with the hiface and it worked but the sound quality was not as good as with KS.
Final note on the Hiface :
Each time I was doing A/B comparisons with one of the other units, I would end up listening to the M2tech and forget about my review. Unplugging it to put another converter was a tough experience each time because I had to be pulled out of the music.
Beyond the criteria I described above (soundstage, resolution, ...), the M2TECH hiface was the most satisfying unit from a sonic point of view as it was the closest to real representation and offered the most believable representation of music.
Conclusion :
Getting a clean spdif signal from a usb port of a computer seems like a simple task but appears to be a rather complicated endeavour. There are many usb to spdif converters today in the market and it is hard to predict how they perform. Their performance is tied both by the quality of the drivers and the quality of the components (clocks,spdif transmitters, ...)
Out of the 4 converters I tested in my system, the m2tech hiface is the one that did the best job. I have indeed been very impressed by the performance this extremely small unit and it doesn't even require a usb cable. The designer of the hiface paid great attention not only to the proprietary drivers (like EMU and Musiland) but also to the quality of components and clocks that are used.
Granted it is the less flexible unit to use as it is limited for now to KS (Kernel Streaming) with limited media players but its superior sound quality makes you forget about its limitations.
The Teralink is the second best performing unit that is leaning a little bit on the "warm" side. However, it was only when I listened to theHiface converter that I became of that coloration.
If your library contains only CD files and mp3s, the Teralink-X is very good as it combines both a "high resolution" sound with a slight warmth that makes it more forgiving toward less than perfect recordings.
However, when you add the cost of a high quality usb cable, the overall cost exceeds that of the m2tech hiface. So it is hard to recommend it because it is limited to 16/48 and doesn't sound as good as the m2tech. Any "audiophile" who is willing to buy such a converter would likely either purchase theMusiland for its convenience or the m2tech for its performance.
The Musiland Monitor 01 USD is a very nice little unit that can do 24/192 and allows for high flexibility (ASIO, KS, DS). Sound wise, it is not a match (in my system) for the Hiface or the Teralink but I am pretty sure that if it used on other DACs that have better reclocking, the performance gap with the two converters might not be as noticeable.
The EMU 0404 usb comes last (old drivers, components of average quality, and requires a high quality usb cable). However, it is the only unit that has analog inputs and outputs. In my opinion, it should not be bought to serve only as a USB to Spdif converter. There are many units out there that are cheaper and that perform better.
Follow-up (26/10/09)
When I initially wrote my conclusion, I didn't intend to make it sound like the Musiland was a bad sounding unit. But I guess I didn't choose the appropriate words. What I meant to say is that in my system, and with my ears I preferred the Teralink-x and m2tech Hiface. The Musiland is still a very good unit.
I did some other testing since I first wrote the review with another good digital cable (the stereovox xv2) and ended up with this conclusion : I would rather use the Musiland with a good digital cable (Stereovox, Sobek) than using the m2tech hiface (my favorite of the group) with the Canare or the Belkin coaxial cable. This means that while there are clear and audible differences between those units, I was talking about the last few percents of performance in my system.
Also, there are people who found it curious that the order of purchase coincided with the order of prefrence. First, as I explained in the test protocol, I went back many times to each unit and did not do my review from memory, I gave a fair listen to all units. I also kept all 4 units on hand and won't be selling them in the near future.
Second, a little explaining about why I was "lucky" enought to have a better unit each time I upgraded. I owned the EMU 0404 usb for more than 2 years and used it mainly as a dac/headphone amp before using it as a transport for my dacs. So it was never my intention to use it as a usb to spdif converter at the time I bought it.
However, the spdif output of the EMU 0404 usb worked only with asio, which meant that I had to keep switching between the usb input of my DAC (for watching movies) and its spdif input (for music). It is at that time that I found a very promising unit the Musiland. When I had it I was very happy with it but I was a little bit disappointed about the marginal improvement it brought upon the EMU 0404 usb. I started reading about the Musiland unit and I learned that while the async protocol and use of a FPGA were good things, however it didn't use audiophile grade components (clocks, capacitors). It was when I was looking for low jitter clocks on ebay that I stumbled on the Teralink-X converter. On theory, it was supposed to be inferior to the Musiland (it uses an old cm-108 usb adaptive chip) but it used a low jitter clock, Oscon capacitors, ... and since it was pretty cheap (less than my Wireworld usb cable), I took the chance and ordered it. When I got it, the sound was superior to the Musiland unit which was rather surprising. This lead me to the quest of another usb converter but this time I was looking for an async usb converters with audiophile grade components. Then someone mentioned this great new usb to spdif converter on the Audio-gd 19 mk3 dac (I started). I went to their web site and I was positively surprised to read on their white paper about the use of 2 low jitter clocks and an async usb protocol. So this is how I ended up buying the m2tech. If I didn't learn about the m2tech I would probably have had my musiland modded with a low jitter clock. But for now I am happy with the m2tech hiface and hopefully won't be looking for other converters in the next few months

I hope this explanation can shed the light on my upgrade path and maybe also avoid skepticism about why I ended up prefering my newest unit each time
Jitter measurements:
While jitter measurements should be interpreted with great care (different results with different equipment and test protocol), it is sometimes a nice tool to make jitter comparisons in the same group of transports done with the same equipment.
Here you can find jitter measurements of the m2tech, a LynxTwo pci sound card, a Nagra DII and a Marantz CD player. In that test the m2tech was slightly better than the LynxTwo which is a professional grade PCI card, and better than the Nagra and Marantz cd player.
On a
stereophile test, there were measurements of the EMU 0404 usb and other converters. The EMU had the worst jitter of the bench, and its jitter was 8 times that of the one measured with the m2tech (Granted the tests were done with different measuring equipment).
So, it seems that at least, I must have gotten the order of those 2 units right
Follow-up 2 (17/11/2009) : Digital Cables - Which length to choose ?
For those who are interested in any usb to spdif converter they are likely to use a spdif cable and wonder about the optimal length.
There are many people claiming that longer cables are better. There is even an article written by Steve Nugent on digital cables (
here) which suggests that longer cables are better because they avoid reflections. While I have nothing against Steve Nugent, you have to be keep in mind that Empirical Audio also happens to be selling digital cables.
Dan Lavry, from Lavry Engineering, corrected some misconceptions about longer digital cables being better and explains why a shorter cable is better than a longer cable.
While I am no engineer, I believe that the facts stated by Dan Lavry are accurate for two reasons : Lavry has a high reputation in the pro audio world and since Lavry Enginnering doesn't sell digital cables, Dan Lavry has (in my opinion) no agenda or no interest in stating that a shorter cable is better than a longer one.
Below is an extract from the conversation and if you want to read the whole conversation, which goes on for a few pages, it starts
here :
Quote:
Originally Posted by Dan Lavry
Quote:
Originally Posted by jkeny
It is reported by Radio frequency Engineers that SPDIF cables needs to be 2 meters or longer on a properly terminated 75 ohm line, shorter than this leads to all sorts of cable reflection problems. These reflections will be heard! This could account for some of the perceived differences between cables.
Edit: this is not a recommendation for buying expensive cables - just simple engineering & no magic ingredients!!
Edit Again: I should have also said that making the cable as short as possible will also work with non-ideal SPDIF (RCA connections etc.) - 12" is possible short enough
|
That is not so, and no self respecting radio frequency engineer or any other electrical engineer will come up with such false claim. In fact, the shorter the cable, the better you are. I am not suggesting to use 3 inches cables, but a 3 foot is better then 10 foot, and at over 30 feet you are certainly asking for trouble.
You said the reason for keeping the length at least 2 feet had to do with reflections. Reflections have to do with MORE LENGTH, not with less length! Reflection becomes an issue when the cable becomes LONG, making the signal propagation delay longer (the signal travel time from the “driver” end of the cable to the destination “end”). What does longer time mean? Longer with respect to the digital signal rise (and fall) time.
A typical cable delay is around 1.5 nano second (nsec) per foot. The velocity is slower then the speed of light, in the range of 1/3 to 2/3 of the speed of light, and it depends almost entirely on one factor - the cable inner material isolation (the dielectric).
The rise time for the digital signal is between 5nsec and 30 nsec. 30nsec is slow but still within the specifications. 5-15 nsec is nice, and the reason that faster is not allowed has to do with setting a limit on the electromagnetic radiation (transmission of interference).
At say 10 feet, the cable delay is around 15 nsec, and a 5nsec rise time is 3 times faster then the delay, so one DOES NEED to terminate the cable and do so properly.
But at say 8 inches length, the delay is around 1nsec and even a fast 5nsec rise is 5 times slower then the cable delay, and the signal will have virtually no reflections at all. The shorter the cable, the better it is from reflections stand point as well as from many other standpoints.
I am not suggesting 8 inch cables. I am not suggesting not terminating. In fact, as a rule the termination is built into the receiver side. The issue here is cable length, and the notion that there is a minimal cable length one should keep is just plain wrong.
Regards
Dan Lavry
Lavry Engineering
|
The intent of this follow-up is not to start up the debate about jitter and cable lengths, however, I felt that it was necessary for any reader to learn what Dan Lavry had to say on the subject.
Also, there is something that everybody seems to agree with. To get the best performing digital transmission, it is best to respect the 75 ohms characteristic impedance throughout the digital chain from the transport, the connectors, the digital cable to the digital receiver.
One more thing, Dan Lavry said the discussed issue is similar with usb : "
what I stated would be good information for ALL cables including USB".
As a result the usb cable should be kept as short as short as possible (no surprise here).
This is good news for our wallets
Pictures of my system: