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Modern headphones are too sensitive. How sensitive should they be? Some people find that previous favourites like the HD580 (at 102 dB/V) are hard to drive with portable players but I've had more frustration due to the opposite problem, i.e. background hiss from headphones which are too sensitive. Even the HD215 (which is only rated at 112 dB/V) throws out continuous noise from most soundcards and some headphone amplifiers too. For the sources I use, 95-105 dB/V seems to be a reasonable range of sensitivity and 100 dB/V would be optimum. [Note: Sensitivity (dB/V) shouldn't be confused with efficiency (dB/mW). This thread might help.]
Now look at some of the crazy specifications for headphones in the marketplace today. Full-size cans run up to 123 dB/V, earbuds and canal phones even higher. An inline volume control is one way to eliminate background hiss. Here's another, simpler method.
Recommended values depending on the reduction (insertion loss) desired, all resistors in Ohms:-
For -10 dB, R1=15, R2=22
For -15 dB, R1=6.8, R2=27
For -20 dB, R1=3.3, R2=27
For -25 dB, R1=1.8, R2=27
For -30 dB, R1=1.0, R2=33
NB: Consider using a 1/2 Watt resistor for R2 as it may dissipate some heat when the volume is cranked.
Input impedance is about 30 Ohms with headphones connected.
I built mine into an extension cable.
Sorry, no macro setting on the digital camera.
[Aside from busting hiss, sound quality will be improved in some cases. e.g. If you're using a portable player with a digital volume control which truncates bits, you'll hear how bad it sounds at low volume settings. That's not the fault of the headphones(!), however it is indirectly caused by the headphones because they are too sensitive.]
After a few weeks of use I can say this simple attenuator is a winner. All my hissy sources (soundcard, integrated amplifier etc.) are now hiss-free. They still have plenty of headroom too. My only concern is the packaging as I'm not sure it will withstand being squashed under foot.
I used R1=5.6, R2=27 which takes the HD215 down to 95dB/V.
Doesn't anybody make one of these comercially? Built into a 1/4 to 1/8 in aadaptor would work for me.
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Portable Sources: Zune 30/Xenos OHA, Sansa M230, Sony D-11, Sony SRF-59, MPIO FL100, 3rd Gen Ipod Nano 8GB
Current Cans: Stax Gammas, HD 580 w/600 grilles/650 cable/Beyer headband, AKG K81DJ, Nakamichi SP-7, Koss KSC 35 &75, UM2/UM56 in ravishing cobalt blue, IM716
Sold off or lost: AKG 701s, AKG 501s, HD-580 x 3, Beyer (05)880s, AT-ES7, UM1s, Sony EX-71, HD-500, Jecklin Float Electrostatics, HD-414, Koss Pro4AA, Bekesy TDH-39 and many others
can you use SMT resistors? I find them a LOT smaller. Or does it have to be metal film variety?
Whats the difference between your solution and a resistor in line with one of the leads?.
I did something similar with my koss plugs, which are ~12 ohms by themselves.
In my CD Player:
Dreamtheater, Queen, Rush, Marillion, Iron Maiden, Deep Purple, Dio, Queensryche, Kings-X, Jethro', Yes, Primus, Eric Johnson, Liquid Tension Experiment, Junior Brown, Moody Blues, The Beatles, Styx, Asia
can you use SMT resistors? I find them a LOT smaller. Or does it have to be metal film variety?
Whats the difference between your solution and a resistor in line with one of the leads?.
I did something similar with my koss plugs, which are ~12 ohms by themselves.
For one thing, he's using one resistor in parallel and one in series. If you do it right you get attenuation w/o an impedence change, if thats what you want.
__________________
Portable Sources: Zune 30/Xenos OHA, Sansa M230, Sony D-11, Sony SRF-59, MPIO FL100, 3rd Gen Ipod Nano 8GB
Current Cans: Stax Gammas, HD 580 w/600 grilles/650 cable/Beyer headband, AKG K81DJ, Nakamichi SP-7, Koss KSC 35 &75, UM2/UM56 in ravishing cobalt blue, IM716
Sold off or lost: AKG 701s, AKG 501s, HD-580 x 3, Beyer (05)880s, AT-ES7, UM1s, Sony EX-71, HD-500, Jecklin Float Electrostatics, HD-414, Koss Pro4AA, Bekesy TDH-39 and many others
Bob_McBob: How does this affect the sound of Westone UM2s? I have heard most attenutators affect it negatively, but the hiss from my iPod is really bothering me.
Wow, a Westone UM2 owner. Did you know that in the spreadsheet (see link in first post) they came up as the most sensitive headphones? 135 dB/V(!!!) If there's any source which doesn't hiss with those then it's probably got a flat battery. All I can say is... you've come to the right place. Unfortunately I can't speak to the effect on the sound, except to say that with the hissbuster plugged in, everything should look about the same to both the source (which still sees a 30 ohm load) and the 'phones (which will still see a very low impedance source). I'd recommend the -30dB version for starters, although there is a bit of a risk as different manufacturers may use different measuring methods.
If most attenuators affect the sound in a negative way, it's probably because they don't provide a low impedance output to drive the 'phones, for example if they consist of a simple series resistor (R2 without R1 in the circuit above), as audiomagnate has pointed out. Technically this turns the circuit into a current source instead of a voltage source, causing the frequency response to be altered according to the varying impedance of the headphones and impairing the electrical damping factor to the diaphragm.
kramer5150, if you have SMD skills then go for it! I envy you. Metal film has a lower thermal coefficient, but I wonder if we have to worry about that. I used carbon film for R2 but that was only because I'm paranoid and wanted half a Watt of heat dissipation for the day someone plugs some old AKG cans into this thing. Overkill really, a 1/4 Watt would have been fine. If you do worry about thermal effects on the signal then just use the same type for both R1 and R2, since this is a divider circuit.
audiomagnate: Doesn't anybody make one of these comercially?
pikasu321: wow, someone should totally build and sell these as adapters.
I wish someone would. I believe there have been a couple including Shure's inline volume control for use on planes, however I can't vouch for those products because this kind of low impedance gear is really quite specialised. Try finding 50 or 100 ohm dual gang potentiometers, or metal film resistors with values below 10 ohms. Rare stuff.
I'm doing the 10dB mod on Mitsubishi MA-01 tommorow. I hope that's enough. I'm just going to do it permanently to the jack instead of building a cord. I new this was possible, but now I don't have to look up the values. Thanks!
BTW, my UM2's are dead silent out of my lowly MPIO FL 100, and it sounds great too!
__________________
Portable Sources: Zune 30/Xenos OHA, Sansa M230, Sony D-11, Sony SRF-59, MPIO FL100, 3rd Gen Ipod Nano 8GB
Current Cans: Stax Gammas, HD 580 w/600 grilles/650 cable/Beyer headband, AKG K81DJ, Nakamichi SP-7, Koss KSC 35 &75, UM2/UM56 in ravishing cobalt blue, IM716
Sold off or lost: AKG 701s, AKG 501s, HD-580 x 3, Beyer (05)880s, AT-ES7, UM1s, Sony EX-71, HD-500, Jecklin Float Electrostatics, HD-414, Koss Pro4AA, Bekesy TDH-39 and many others
Hi audiomagnate. Quick question - what's the power output of that Mitsubishi? I can't find any info on it, other than that it's a well regarded amp from circa 1980. The reason I ask is that you have to think about power issues when you build something like this into a device which is capable of driving speakers. Usually, power amps with headphone sockets have output resistors to protect the headphone socket from sparking, melted terminals, etc, but which can also adversely affect the sound. In that case an external IMPEDER (see link in sig) could be the way to go. Sorry to be a bore, just concerned that 1/4 Watt resistors might get rather hot in there.
It's still a good mod to do though. You'll probably find R2 is already built into the amp - then it's just a matter of choosing a suitable R1.