Support Head-Fi.org by
starting all of your
Amazon.com shopping by
clicking here.
____________________________________________________________________
Today's Featured Head-Fi Blog: Jude's Blog
____________________________________________________________________
Please help
support Head-Fi by becoming a Contributing Member
CLICK
HERE -- Contributing Members, thank you
for your generous support! --
So when all is said and done about cables making a difference or not...
don't you think it all matters on the impedance value the cable gives? Copper, cryo, and silver all have different impedance values, and that's probably what makes the final hearing difference.
Hope I'm not beating up part of the infamous dead horse here.
__________________ Home: KECES-151 + Stax SRM1/MK2 Pro + Stax SR-Lambda Pro Portable: iPod Classic 160GB or Sansa Clip 2GB + Koss KSC75 College:iPod Classic 160GB + Little Dot I+ + Grado SR-225 College (2):Laptop (Gateway P-6831FX) + Asus Xonar U1 + Koss KSC75 Cables: IeGO (x2, copper and silver-plated)
There are those who treat music as a convenience.
And then there are those who recognize it as an art. http://www.head-fi.org/forums/f12/th...ngmule-222217/
The other aspect to consider is the threshold of audibility. A slight measurement difference that isn't audible doesn't matter. A lot of audiophile nonsense is based on improving numbers that don't represent sound that humans can actually hear. People spend hours in Brobnigagian arguments about inaudible sound.
However, there's plenty to be done for the numbers we can actually hear... equalization, room treatments, speaker design, etc... all make a huge difference. But these subjects are rarely discussed.
The problem with cables is that the cheap ones give you undeniably good sound.
Think about a $10 chocolate sundae. It's really good. But for an extra $500, you get the cherry on top. How many people will pay the extra $500?
Same with the cable argument. Assuming, arguendo, that cables "work," does the price justify the benefit? No.
Further, no one has ever been able to demonstrate a benefit. Not even the manufacturers offer anything to back their claims.
__________________
UNCLE ERIK Vinyl, Tubes & Grado
Orbe SE -> SME IV -> Fi Yph -> Zana Deux/Si2A3
RS-1, HP-2, HF-1, K-1000, K-701, K-501, K-340, K-240DF, HD-650, HD-600, HD-414, DT48, DT880, MDR-SA5000, ATH-6, Aperio Alpha
Yeah, it's really hard to "back up" any claims. There are tons of different properties to the wire used, capacitance, resistance, impedance, dielectric properties of coating/sleeve. Of course it's basically impossible to say that any of these actually "sound" different because how something "sounds" is a subjective "measurement".
Then there is always the "does it work" argument which I think is really over-simplified. Does a cable "work" as in transmits sound, yes, all do, but by adding a huge amount of impedance, it also creates a voltage divider with the load and attenuates the signal; now whether this is "audible" is another story, but it can be measured.
I guess there really isn't any way around this; numbers don't prove anything "sounds differently" and claiming that something does actually "sound different" can't be proven with numbers. Stalemate.
If a cable attenuates the signal by adding impedance, can this not be offset by simply turning the voulme up? Forgive me if that's simplistic, I'm just wondering...
__________________ Cans: Sennheiser HD650 w/ APS V3 (Furutech plug), HD590 IEMs: Etymotic ER4-P and 4S Amp: Woo Audio WA3+ w/Tung-Sol 7236 and matched Siemens E188CC Source: Denon DVD-1920, Monarchy DIP Combo Upsampler, Oritek OMZ v4.1 DAC Power: Furman PL-8 II, Parasound AWG12 power cords x3 Cables: Signal Cable Silver Resolution RCA w/ Eichmann Silver Bullets
Tributaries Silver Series SVC (as digital coax) x2 Team Bay Area I can has feedsbak?
Further, no one has ever been able to demonstrate a benefit. Not even the manufacturers offer anything to back their claims.
It's rather amazing, isn't it?
Originally Posted by FallenAngel
Yeah, it's really hard to "back up" any claims. There are tons of different properties to the wire used, capacitance, resistance, impedance, dielectric properties of coating/sleeve. Of course it's basically impossible to say that any of these actually "sound" different because how something "sounds" is a subjective "measurement".
Double-blind tests that can show ANY sort of measurable consistency would be a good start.
it amazes me to see the level to which people will come up with excuses to ignore the results of double-blind tests. Pure and overwhelming denial.
"If the test doesn't yield what I believe to be true, the test must be flawed!"
I'm really glad that, for the most part, science doesn't work like that.
I've been in the situation myself, where something that appeared totally and overwhelmingly true to me was called into question. . . and I've argued bitterly about what I know my experiences to have been . . . and when the cold hard facts were laid out, I was completely and undeniably wrong.
Made me realize how strong (and incorrect) anecdotal evidence and desire can be.
Originally Posted by FallenAngel
I guess there really isn't any way around this; numbers don't prove anything "sounds differently" and claiming that something does actually "sound different" can't be proven with numbers. Stalemate.
No, it's not a stalemate. The burden of proof is on the one making the claims that their product has a tangible effect.
I can claim that Santa Claus exists and you can NOT prove me wrong, you simply can't. That doesn't make my assertion somehow valid.
Last edited by Terminus Est 23; 06-27-2008 at 02:54 AM..
One simple way to decide would be to get two cables, one with higher impedance. Wouldn't have to be expensive. Then do an ABX test.
I made an adapter once for some Beyer Dynamics that was basically an in-line resistor to increase their effective impedance with my amp. That made a small difference to the sound, but it was a 120ohm resistor. There is no way any cable will come even close to that, and especially if it's an interconnect it won't make any difference.
To be honest there is probably more variable in impedance from headphone to headphone due to manufacturing than between types of cable.
__________________
Team W5000 - Team HEADFIVE - Team Onkyo - FLAC -> Onkyo SE-200PCI -> C.E.C. DA53 -> HEADFIVE -> ATH-W5000
If a cable attenuates the signal by adding impedance, can this not be offset by simply turning the voulme up? Forgive me if that's simplistic, I'm just wondering...
Nope. For me, the perfect example to prove this is the ER4P/S. It changes the sound (and its quality) slightly, but very noticeably. And the only difference between the ER4P and ER4S model is the impedance.
__________________ Home: KECES-151 + Stax SRM1/MK2 Pro + Stax SR-Lambda Pro Portable: iPod Classic 160GB or Sansa Clip 2GB + Koss KSC75 College:iPod Classic 160GB + Little Dot I+ + Grado SR-225 College (2):Laptop (Gateway P-6831FX) + Asus Xonar U1 + Koss KSC75 Cables: IeGO (x2, copper and silver-plated)
There are those who treat music as a convenience.
And then there are those who recognize it as an art. http://www.head-fi.org/forums/f12/th...ngmule-222217/