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Headphoneus Supremus: Head-Fi-holic: With headphones would just be a benny.
Originally posted by Greg Freeman
Problem is that as the wavelength gets longer the evil wave from the back starts coming in phase with the good wave from the front. This results in a 6db/octave rolloff below the wavelength corresponding to the baffle size. In short, wimpy bass. That is why the hybrids exist (conventional cabinet for the bass section).
Hey, Greg, are you sure about that? I would have thought that resulted in a comb filtering effect, one for each harmonic of said wave. That's not really fixable by simple EQ, is it? One thing you can do is match them in phase (adjustably, of course) so that they reinforce each other rather than cancel each other out. Maybe that's what the GMAS did?
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I have some Vandersteen 2CE signatures. They are very large and heavy The box is easily 6' tall.
Sound is outstanding. I paid about $1800 for them. I drive them with a 100w power amp, and biwired cable. Does not sound like much power, but the amp is very conservitively rated. I don't play it loud anyway.
If you call Vandersteen company, it is quite possible if you have a question, you will speak to Vandersteen himself. He is very friendly and knows his stuff (of course).
I have had many interesting designed speakers. The Vandersteens are the best I have had. They are a bit big for my condo, but the I's did not have what I wanted in sound, but came close.
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Headroom Maxed Out Home. Sennheiser HD600 with Clou Red. Grado SR80!
Portable System: Old Total Airhead. Archos 605 WIFI. Sennheiser HD580.
Originally posted by Joe Bloggs Hey, if open headphones are such a successful design, why don't we have open speakers too? Like, three-way speakers with just the minimum structures required to hold the drivers at the right heights and maybe just a plastic / wooden frame to enclose the drivers and prevent damage.
Some speakers are made to work with an open design. Usually panel speakers (huge flat surfaces that vibrate minutely, but with a large surface area). They can be electrostatic or magnetic (I had Magneplanars like that).
As far as cone type speakers go (non-panel). Driver/cone characteristics are critical. You need to compensate for backwave, resonant frequency, cone rigidity, and other factors.
You have to do this for each driver. Like woofer, midrange, and tweeter (those that are not backless in design). Some enclosures act like capacitive reactance (sealed, acoustic suspension), some like inductors (bass reflex/ported), and resistive (aperiodic). Then there are radiation patterns of the drivers, box volume. Then to top that off, the design and size dictate what is best for speaker placement in the room.
I found planar types to be a pain in the a*s for positioning in my room. Plain box speakers are easier (except for height, base, and distance from wall). My current Vandersteens are of a complex design, and I had to really compromise on my placement.
In short, panel/bipolar speakers are made to be open. But placement and nearby furniture placement are critical. Radiation patterns for these have to be understood because they are quite different from box speakers.
Each speaker just can't be placed anywhere. My speakers even have a back tilt adjustment for the whole speaker.
Open speakers. Not the most practical units in the world.
I often thought of making my own units. But the complexities and cost make it prohibitive.
My favorite speakers I have owned: OLDEST-Dynaco A50's circa 1970. Fulton Tempos (circa mid 80's). Now-Vandersteen IIce Signatures. These are not the only ones I have owned, but just the ones I used in my main system over the years.
These do not represent the "best", only the ones I could afford, and could get.
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Headroom Maxed Out Home. Sennheiser HD600 with Clou Red. Grado SR80!
Portable System: Old Total Airhead. Archos 605 WIFI. Sennheiser HD580.
Headphoneus Supremus: Why is there a chaplain standing over his wallet?
At least one other Head-Fier and myself (I won't out him ) had some of our first "high end" experiences in the same store, listening to Bose 901 direct/reflecting...one speaker pointed forward and eight aimed at the rear. The store had two pairs mounted together from the ceiling...the effect was surprisingly good. I remember thinking for years that was going to be the ultimate system I would one day own Oh well, I was young
500+ Member: Making Grados better through surgery.
if you're really interested in open baffle speakers, linkwitz has an open baffle design on his site. it's pretty good reading material. www.linkwitzlab.com
Originally posted by Joe Bloggs Is this quite ideal? I don't understand this reinforcement thing really--how do you design the enclosure to reinforce certain frequencies? In physics terms if possible And wouldn't the resonance from the enclosure be out of phase with the sound produced directly from the driver?
Read a book
regarding the picture, that's a single fullrange driver on an open, cloth-covered baffle. the back is empty, the front is empty, the driver is doing everything on its own. this speaker has to be placed in a corner to improve bass response.
joe, listen to a pair of martin logans! amazing speaker....
the only problem with martin logans, and many other electrostatic speakers, is that the "sub" is being crossed at a whopping 500Hz! waaaaaaaaaaaay too high! no good. then again, I've never heard a pair. Still, I have very little faith in a design like that, since so much of the crucial midrange is not being produced by the electrostatic element.
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